Array ( [results] => Array ( [error] => [is_error] => [conferences] => Array ( [0] => Array ( [id] => 927 [event_id] => 11 [name] => Inter BEE 2019 Opening & Keynote [description] => - [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 1500 [current_count] => 750 [interpretation_flg] => 0 [conference_classes_id] => 303 [class_code] => 131 [classes_name] => KN [classes_color] => 000000 [conference_place_groupes_id] => 31 [place_groupes_name] => 国際会議場2階 [conference_places_id] => 99 [places_name] => コンベンションホールA [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 10:00 [time_end] => 12:00 [tags] => 基調講演1%% %%FORUM%% %%SPORT [sort] => 0 [time_start_hour] => 10 [time_start_minute] => 0 [time_diff] => 120 [themes] => Array ( [0] => Array ( [id] => 4475 [name] => Opening Session [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6625 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 1 ) ) ) [1] => Array ( [id] => 4697 [name] => [description] => 主催あいさつ ： 一般社団法人電子情報技術産業協会 [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6683 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) [2] => Array ( [id] => 4693 [name] => [description] => 来賓あいさつ ： 総務省、経済産業省 [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6679 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) [3] => Array ( [id] => 4695 [name] => [description] => 来賓等の参加によるフォトセッション [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6681 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) [4] => Array ( [id] => 5025 [name] => Keynote Speech：Toward 2020 [description] => スポーツをどう伝え、スポーツは何を伝えてくれるのか。放送をはじめネットやライブなど、コンテンツをより美しく、より楽しく、よりアクティブに伝える技術が進化するなかで、いまや万人が支持するキラーコンンテンツとなったスポーツ。今年のInter BEEの幕開けを飾るキーノートは、「スポーツとそれを伝えるイノベーション」をトピックテーマに国内海外のキーパーソン4人を迎え、2020年を目前に控えたいま、メディアとエンターテインメントに携わる人たちにとって必見のセッションとしてお届けします。 [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7251 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) [5] => Array ( [id] => 4477 [name] => 放送イノベーションを活用した最高のスポーツコンテンツの提供 [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6221 [category_name] => [name] => ゴードン・スミス [organization_name] => 全米放送事業者協会（NAB）　会長 [description] => [title_name] => [image_flg] => 1 ) ) ) [6] => Array ( [id] => 5019 [name] => 他産業との融合によるスポーツの未来 [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7245 [category_name] => [name] => 鈴木 大地 [organization_name] => スポーツ庁長官 [description] => [title_name] => [image_flg] => 1 ) ) ) [7] => Array ( [id] => 5021 [name] => Beyond 2020放送技術の進化は止まらない [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7247 [category_name] => [name] => 緒方 一貴 [organization_name] => 日本放送協会 放送技術局 局長 [description] => [title_name] => [image_flg] => 1 ) ) ) [8] => Array ( [id] => 5023 [name] => Tokyo2020の映像制作（仮） [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7249 [category_name] => [name] => ソチリス・サラモーリス [organization_name] => オリンピック放送機構（OBS）最高技術責任者（CTO） [description] => [title_name] => [image_flg] => 1 ) ) ) ) ) [1] => Array ( [id] => 929 [event_id] => 11 [name] => スポーツ中継のフィロソフィー ～TOKYO 2020に向けて [description] =>

セッショントピックは「スポーツ文化の発展とテレビの役割」「日本テレビの『姿勢と準備』～ラグビーＷ杯成功の裏側」「東京パラリンピックのレガシーとテレビの役割」となります。

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「WHO I AM」 エグゼクティブ・プロデューサー [image_flg] => 1 ) ) ) [3] => Array ( [id] => 5015 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7241 [category_name] => [name] => マセソン 美季 [organization_name] => 長野パラリンピック金メダリスト　 [description] => [title_name] => IPC & IOC 教育委員会委員 [image_flg] => 1 ) ) ) ) ) [2] => Array ( [id] => 931 [event_id] => 11 [name] => デジタルテクノロジーでさらに輝くこれからのスポーツ [description] => ステイプルズ センター（ロサンゼルス）、The O2（ロンドン）など最先端テクノロジーを駆使した「スマートアリーナ」を世界中で保有・運営しつつ、プロスポーツチーム、超大物アーティスト、音楽ライブや都市開発まで手掛ける世界最大のスポーツ×エンタメ×テクノロジー企業 米AEG社の最新動向をベースに、デジタルテクノロジーでスポーツはこれからどう輝きを放つのか、メディアを含めた日本のICT関連企業はどうしていけばいいのか等を、アスリート視点、ラグビーワールドカップで得た知見、東京オリパラ大会に向けた動向を交えながら議論する必聴のパネルディスカッション。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 1500 [current_count] => 454 [interpretation_flg] => 1 [conference_classes_id] => 303 [class_code] => 133 [classes_name] => KN [classes_color] => 000000 [conference_place_groupes_id] => 31 [place_groupes_name] => 国際会議場2階 [conference_places_id] => 99 [places_name] => コンベンションホールA [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 15:30 [time_end] => 17:00 [tags] => 基調講演2%% %%FORUM%% %% SPORT [sort] => 0 [time_start_hour] => 15 [time_start_minute] => 30 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4481 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6239 [category_name] => パネリスト [name] => 廣瀬 俊朗 [organization_name] => 元ラグビー日本代表主将 [description] => [title_name] => 株式会社HiRAKU代表取締役
俳優 [image_flg] => 1 ) [1] => Array ( [id] => 7321 [category_name] => [name] => 北谷 賢司 [organization_name] => 米アンシューツ エンタテイメント グループ （AEG)　
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金沢工業大学教授 [image_flg] => 1 ) [2] => Array ( [id] => 7323 [category_name] => [name] => 日置 貴之 [organization_name] => スポーツブランディングジャパン株式会社　代表取締役社長 [description] => [title_name] => (公財)東京オリンピック・パラリンピック競技大会組織委員会
開会式・閉会式担当　エグゼクティブプロデューサー
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現在、東京・南青山の岡本太郎記念館にて企画展「5億年後の生命体 河口洋一郎：BEYOND AI」を開催中の、アーティストであり東京大学名誉教授 河口洋一郎氏をモデレータに、アートとサイエンスが生み出す新しい宇宙をテーマに縦横無尽に繰り広げられる、未知のトークにご期待ください。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 600 [current_count] => 114 [interpretation_flg] => 1 [conference_classes_id] => 307 [class_code] => 132 [classes_name] => TC [classes_color] => 000000 [conference_place_groupes_id] => 31 [place_groupes_name] => 国際会議場2階 [conference_places_id] => 103 [places_name] => 201会議室 [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 12:30 [time_end] => 13:50 [tags] => テクニカルセッション２%% %% FORUM [sort] => 0 [time_start_hour] => 12 [time_start_minute] => 30 [time_diff] => 80 [themes] => Array ( [0] => Array ( [id] => 4547 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6349 [category_name] => 創賞受賞 [name] => 千住 明 [organization_name] => 作曲家 [description] => [title_name] => [image_flg] => 1 ) [1] => Array ( [id] => 6351 [category_name] => 匠賞受賞 [name] => 中野 信子 [organization_name] => 東日本国際大学教授 [description] => [title_name] => 脳科学者 / 医学博士 / 認知科学者 / [image_flg] => 1 ) [2] => Array ( [id] => 6353 [category_name] => ASIAGRAPH代表 [name] => 河口 洋一郎 [organization_name] => 東京大学名誉教授/アーティスト [description] => [title_name] => [image_flg] => 1 ) ) ) ) ) [8] => Array ( [id] => 969 [event_id] => 11 [name] => 【DCEXPO2019】SIGGRAPH招聘特別セミナー：人に寄り添うCG/VFXによる映像表現 [description] => 人に寄り添うCG/VFXによる映像表現 人の感情をコンピュータで表現する新しいテクノロジーの研究が進んでおり、CG映像による表現の領域も、大きく広がって来ている。 このコンファレンスの前半では、ACM・ SIGGRAPHの対外関係チェアであるDiana Arellano氏に、人間の感情とコンピュータの関わりをテーマするAffective Computingについて解説して頂くと共に、現在のCGIプロダクションで取り組まれているCG＆VFXについても紹介して頂きます。 後半では、「NHKスペシャル　恐竜超世界」のCG/VFXスーパーバイザーを務めるNHKの松永孝治氏に、「恐竜超世界」のCG／VFX制作の状況を中心にお話ししただき、昔と今の違いなども交えながら、番組制作の中で蓄積されてきたNHK・CG制作チームの活動を紹介して頂きます。 このお二人の講演を元に、CGによる感情表現やインパクトのある映像表現など、人に寄り添うCG/VFX制作への取り組み方について、パネル・ディスカッションを行います。 モデレーターは、NHKでCGやデジタル技術による映像制作の創成期から関わり、先端技術動向に詳しい元女子美術大学教授の為ケ谷秀一氏が務めます。 [reserve_flg] => 0 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4など、世界をリードするOTTサービスプロバイダや放送局が抱えていた配信における課題は、日本におけるそれらとなんら違いはありません。本セッションでは複数の顧客事例からみた課題とそれらを克服するヒントを、製品戦略担当VPが詳しく解説します。また、5G時代の新しいエンタテインメントを提供する株式会社LiveParkの小野寺様には、テレビ放送と完全同期したライブ実況や、ユーザーと配信者が一体となってイベントに参加するライブ配信サービスの開発など新しいユーザー体験を実現した事例を、直接お話いただきます。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 1 [limit_count] => 350 [current_count] => 330 [interpretation_flg] => 2 [conference_classes_id] => 309 [class_code] => 132 [classes_name] => CS1 [classes_color] => 000000 [conference_place_groupes_id] => 33 [place_groupes_name] => 国際会議場1階 [conference_places_id] => 105 [places_name] => 103会議室 [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 12:30 [time_end] => 14:30 [tags] => コンファレンススポンサー%% %%FORUM [sort] => 0 [time_start_hour] => 12 [time_start_minute] => 30 [time_diff] => 120 [themes] => Array ( [0] => Array ( [id] => 4579 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6407 [category_name] => 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本セッションでは、このIPネットワークを構築するために必要となるIPマルチキャスト、PTP同期、ネットワークデザインなどを詳細に解説します。 ます。デジタル撮影や編集の技術と新しい世代のアニメーションのワークフローは、複数のイメージのストリームを生成し、そのストリームはリアルタイムかつノンリニアに処理されたのち、様々なフォーマットで受け手にIP送信されます。CGIやアニメーションの制作スタジオでは、いち早くIPベースのEthernetインフラを導入し、そのコストパフォーマンスの高さと投資の保護というメリットを享受してきました。イメージ、ファイル、トランスポートのためのプロトコルを、COTSと呼ばれる汎用的なコンピューターと標準ベースのIP/Ethernetネットワークの上で処理することにより、ファイルベースのワークフローをシンプルに整備することができました。これらのオープンなアーキテクチャは、システムのスケーラビリティを高め、また技術の革新をより容易にしていきました。 リアルタイムのブロードキャストのワークフローを、SDIクロスポイントスイッチからEthenetベースのIPに移行することは、大きなチャレンジです。映像、音声の品質と同期を確保しつつ、デバイス間の相互接続性をとり、さらにスケールするシステムを構築するには、新たな同期や制御のためのスタンダードが必要です。また、操作卓上での操作をIPベースのネットワークに正確にかつ迅速に伝達するためには、オープンで標準ベースのAPIの開発も重要です。SMPTE、VSFなどの業界標準化団体によって定義された各標準が、商用利用可能な状態でIP/Ethernetプラットフォームに実装されてきています。業界内の支持者と次々に出てくる革新者たちによって実用化されたこれらのソリューションは、将来の移行のためのコストを最小限に抑えながら、新しい形態のコンテンツ制作を可能にし、また現行および将来の撮影・録音、編集、ディスプレイのフォーマットをサポートしています。高速で、スケーラビリティに富んだIPネットワークインフラで、エンドポイントのシステムを容易にかつ高信頼で相互接続するということこそ、この移行を可能とするための技術基盤です。 本セッションでは、このIPネットワークを構築するために必要となるIPマルチキャスト、PTP同期、ネットワークデザインなどを詳細に解説します。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 1 [limit_count] => 300 [current_count] => 359 [interpretation_flg] => 1 [conference_classes_id] => 309 [class_code] => 133 [classes_name] => CS1 [classes_color] => 000000 [conference_place_groupes_id] => 33 [place_groupes_name] => 国際会議場1階 [conference_places_id] => 105 [places_name] => 103会議室 [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 15:00 [time_end] => 17:00 [tags] => コンファレンススポンサー%% %%FORUM [sort] => 0 [time_start_hour] => 15 [time_start_minute] => 0 [time_diff] => 120 [themes] => Array ( [0] => Array ( [id] => 4581 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6409 [category_name] => [name] => 兵頭　弘一 [organization_name] => アリスタネットワークスジャパン合同会社 [description] => [title_name] => 技術本部　本部長 [image_flg] => 1 ) [1] => Array ( [id] => 6411 [category_name] => [name] => 橋本 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) ) ) ) [13] => Array ( [id] => 999 [event_id] => 11 [name] => AIと放送の未来 ～ AIを活用した様々放送事例とSpecteeが見据える未来の放送のカタチ [description] => AIでテレビや放送がどう変わるのか？いま映像制作の現場や放送局そのものの働き方にまでAIが浸透し始めています。AIを活用した報道支援サービスやAIアナウンサー、AI天気などを提供するAI情報解析会社スペクティが、AIでいまどこまでできて、これからどう変わっていくのか、最新の事例をもとに解説します。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 1 [limit_count] => 300 [current_count] => 260 [interpretation_flg] => 1 [conference_classes_id] => 311 [class_code] => 133 [classes_name] => CS2 [classes_color] => 000000 [conference_place_groupes_id] => 33 [place_groupes_name] => 国際会議場1階 [conference_places_id] => 107 [places_name] => 104会議室 [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 15:00 [time_end] => 17:00 [tags] => コンファレンススポンサー%% %%FORUM [sort] => 0 [time_start_hour] => 15 [time_start_minute] => 0 [time_diff] => 120 [themes] => Array ( [0] => Array ( [id] => 4593 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] 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=>

　本セッションはDOMMUNE にてライブストリーミング配信いたします

人はダンスをする生き物だ。なぜ踊るのか、なぜ踊りに魅せられるのか？
ダンスフロアから、今後はどんなカルチャーが生まれていくのか？

東京オリンピック・パラリンピックを控え、ナイトタイムエコノミーへの機運が高まる昨今にて、都市とナイトシーンの密なる関係を読み解くトークセッション。
ゲストには世界中のDJを毎晩招き、東京のクラブシーンを支え続けてきたDOMMUNEの宇川直宏、そして今年のベルリンの壁崩壊30周年に紐づき、東京とベルリンをつなぐイベント「After30」の仕掛け人のひとりであり、都市と文化の生態系を探求するNIONの井口奈保が登壇。クラブシーンにおいて、今後のデジタルメディア産業は何を見すえるべきか、また踊りという文化が、いかに人を魅了し、場の力を生み出すかについて語る。

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　本セッションはDOMMUNE にてライブストリーミング配信いたします

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在京５社視聴データサービス等推進会議 主査 [description] => [title_name] => （テレビ朝日 IoTvセンタービッグデータ担当部長） [image_flg] => 1 ) ) ) ) ) [19] => Array ( [id] => 1027 [event_id] => 11 [name] => 若年層のカジュアル動画視聴 ~その実態から探る今後の動画サービスへのヒント~ [description] => いまや日常のあらゆるシーンに動画視聴への入口が広がっている。 スマートフォンとともに育った若年層にとって、視聴の入口となるジャンル区分は「スポーツ」「ドラマ」「アニメ」「バラエティ」などの整然とした分類に収まらなくなった。 テレビ放送や番組配信事業という視点をいったんカッコにくくってみると、若者の日常にどのような動画生態系の広がりがあるのか見えてくる。 電通の独自調査とアプリの利用ログのオリジナル分析から、若年層のカジュアルな動画視聴の実態を明らかにすることで、逆に今後の動画サービス構築へのヒントを探る。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 1 [limit_count] => 600 [current_count] => 565 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 133 [classes_name] => CN [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 111 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 15:00 [time_end] => 16:00 [tags] => CONNECTED%% %%企画セッション [sort] => 0 [time_start_hour] => 15 [time_start_minute] => 0 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4621 [name] => [description] => - [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6495 [category_name] => モデレーター [name] => 奥 律哉 [organization_name] => 株式会社電通 [description] => [title_name] => 電通総研 フェロー
電通メディアイノベーションラボ 統括責任者 [image_flg] => 1 ) [1] => Array ( [id] => 6497 [category_name] => パネリスト [name] => 美和 晃 [organization_name] => 株式会社電通 [description] => [title_name] => 電通メディアイノベーションラボ　メディアイノベーション研究部長 [image_flg] => 1 ) [2] => Array ( [id] => 6499 [category_name] => [name] => 森下 真理子 [organization_name] => 株式会社電通 [description] => [title_name] => 電通メディアイノベーションラボ　メディアイノベーション研究部主任研究員 [image_flg] => 1 ) ) ) ) ) [20] => Array ( [id] => 1029 [event_id] => 11 [name] => データで解明する！スポーツ番組の視聴の"質＆価値"の最新動向!? [description] => バレーボールＷ杯、サッカーＷ杯予選、世界陸上、日本代表が大活躍しているラグビーＷ杯、まさにスポーツの秋ですが、 本命は来年夏の東京オリンピックではないでしょうか。本セッションでは「テレビとスポーツ」をテーマに、データから、 スポーツのテレビ視聴と、その価値について、テレビデータ企業２社、日本コカ・コーラ様からお話しをいただきます。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 600 [current_count] => 349 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 134 [classes_name] => CN [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 111 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 16:20 [time_end] => 17:30 [tags] => CONNECTED%% %%企画セッション [sort] => 0 [time_start_hour] => 16 [time_start_minute] => 20 [time_diff] => 70 [themes] => Array ( [0] => Array ( [id] => 4623 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6501 [category_name] => モデレーター [name] => 深田 航志 [organization_name] => 株式会社インテージ [description] => [title_name] => コミュニケーション事業本部
テレビデータ戦略担当マネージャー [image_flg] => 1 ) [1] => Array ( [id] => 6507 [category_name] => パネリスト [name] => 池田 哲也 [organization_name] => 日本コカ・コーラ株式会社 [description] => [title_name] => マーケティング本部
IMC コネクションプランニング&メディア グループマネージャー [image_flg] => 1 ) [2] => Array ( [id] => 6503 [category_name] => [name] => 郡谷 康士 [organization_name] => TVISION INSIGHTS株式会社 [description] => [title_name] => 代表取締役社長 [image_flg] => 1 ) [3] => Array ( [id] => 6505 [category_name] => [name] => 山田 護 [organization_name] => 株式会社インテージ [description] => [title_name] => コミュニケーション事業本部
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人の心の弱さから生まれる｢悲劇｣、そして思い違いから生まれる｢喜劇｣。
繊細で緻密なカズオ･イシグロの物語を最新8K撮影で映像化
先駆的な8Ｋフォーマットによる撮影、そして世界的な名優が主演する本作の制作秘話を、本作エグゼクティブ・プロデュサー自らここInter BEEにお越しいたきお話いただきます [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 300 [current_count] => 48 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 134 [classes_name] => CR [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 113 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [conference_date] => 2019-11-13 [conference_date_end] => [time_start] => 14:00 [time_end] => 14:45 [tags] => CREATIVE%% %%企画セッション [sort] => 0 [time_start_hour] => 14 [time_start_minute] => 0 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 5081 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7349 [category_name] => [name] => 内藤　愼介 [organization_name] => （株）ＮＨＫエンタープライズ [description] => プロフィール
演出作品として、連続テレビ小説「和っこの金メダル」「京、ふたり」「ええにょぼ」
大河ドラマ「八代将軍吉宗」
特集ドラマ「とおせんぼう通り」(スロバキヤにてドナウ賞)ほか

プロデュース作品として、
連続テレビ小説「オードリー」　「どんど晴れ」

大河ドラマ「天地人」（エランドール賞、エランドールプロデューサー賞） 八重の桜（エミー賞ノミネート）、
特集ドラマ「東京裁判」（エミー賞ノミネート）、
大河ファンタジー「精霊の守り人」。
近年では、ノーベル賞作家カズオ・イシグロの「浮世の画家」を８Ｋスペシャルドラマとして制作 [title_name] => 制作本部　ドラマ番組
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- 映像制作において、何が“ベンダー”を”パートナー”に変えるのか？
- Animal Logicで働いていた私がなぜデルで働くことを決めたのか、またなぜデルは私を迎えたのか
- M&E業界に関するリスクと機会
- なぜクラウドへの移行が進むのか
- クラウドの新しい定義
- なぜ映像作品は作品ごとに制作環境が異なるのか
- なぜ“データ ファースト”でなければならないのか
- “データ ファースト”を実現するアーキテクチャとは？
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メディア＆エンターテインメント業界担当　事業開発マネージャ
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世界的にも先鋭的な取組みを行なっている都市「深圳と渋谷」。
「都市のメディア化」として世界中で取り上げられた、深圳の春節。
既に、スマートデバイスをインターフェイスに、電子通貨、無人コンビニ、自動運転等々が社会実装され、日常生活に当たり前のように溶け込んでいる。
渋谷は今まさに「100年に一度の再開発」により、大きく生まれ変わろうとしている。
テクノロジーの発展とともに劇的なスピードで進化を続けている都市での日常生活に於いて、メディアのあり方も更に大きく変わろうとしている今、この二つの代表的な都市の仕掛人をお招きし、取組みをご紹介いただくと共に、描くビジョンと、そこに至ったそれぞれの背景、メディアのあり方などについてトークセッションを展開して行く。

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現在、NETFLIXでオリジナルシリーズ『全裸監督』が公開中。 [title_name] => [image_flg] => 1 ) [1] => Array ( [id] => 7359 [category_name] => [name] => 結城 崇史 [organization_name] => INTER BEE CREATIVE フォーラム・ディレクター [description] => [title_name] => [image_flg] => 1 ) ) ) ) ) [63] => Array ( [id] => 1285 [event_id] => 11 [name] => 藤代雄一朗×林響太朗「ディレクターの視点から見た撮影、編集、カラーグレーディング」 [description] => 若手ディレクターの中には、演出はもちろんのこと、時に自ら撮影も行ない、編集やカラーグレーディングまで手がけるマルチな才能の持ち主が珍しくありません。DRAWING AND MANUALという制作会社に所属する藤代雄一朗氏と林響太朗氏の2人も、そんな新世代を代表する映像作家です。 本セッションではこの2人を招いて、ディレクターの視点から見た撮影、編集、カラーグレーディングについて語りあっていただきます。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 300 [current_count] => 273 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 144 [classes_name] => CR [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 113 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [conference_date] => 2019-11-14 [conference_date_end] => [time_start] => 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=> 1 ) ) ) ) ) [64] => Array ( [id] => 1051 [event_id] => 11 [name] => 8K/4K高画質標準評価用コンテンツ制作手法 [description] => - [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 300 [current_count] => 229 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 145 [classes_name] => CR [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 113 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [conference_date] => 2019-11-14 [conference_date_end] => [time_start] => 15:00 [time_end] => 15:45 [tags] => CREATIVE%% %%企画セッション [sort] => 0 [time_start_hour] => 15 [time_start_minute] => 0 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4645 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6585 [category_name] => [name] => 今塚 誠 [organization_name] => 株式会社キュー・テック [description] => [title_name] => 映像部 第一編集グループ チーフテクニカルアドバイザー/シニアカラリスト 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1968年生まれ、熊本県出身。2000年『ひまわり』が、第5回釜山国際映画祭で国際批評家連盟賞を受賞し、演出力のある新鋭として期待を集め、01年の『GO』で第25回日本アカデミー賞最優秀監督賞を始め数々の映画賞を総なめにし一躍脚光を浴びる。04年『世界の中心で、愛をさけぶ』は興行収入85億円の大ヒットを記録し社会現象となった。
以降、『北の零年』（05）、『春の雪』（05）、『クローズド・ノート』（07）、『今度は愛妻家』（10）、『パレード』（10／第60回ベルリン国際映画祭パノラマ部門・国際批評家連盟賞受賞）、『円卓』（14） 、日中合同作品『真夜中の五分前』（14）、『ピンクとグレー』（16）、故郷・熊本を舞台に撮影した『うつくしいひと』（16）、日活ロマンポルノリブート『ジムノペディに乱れる』（16）、『うつくしいひと サバ？』（17）、『ナラタージュ』（17）、『リバーズ・エッジ』（18／第68回ベルリン国際映画祭パノラマ部門・国際批評家連盟賞受賞）などがある。2020年には『窮鼠はチーズの夢を見る』『劇場』などの話題作の公開を予定している。
また、毎年4月に自身がディレクターを務める《くまもと復興映画祭》を開催するなど熊本の復興にも精力的に関わる。『うつくしいひと』『うつくしいひと サバ？』Blu-ray&DVDが発売中で、その売上げの一部は、チャリティーとして熊本復興のために寄付される。

さらに映画だけでなく舞台「趣味の部屋」（13,15）、「ブエノスアイレス午前零時」（14）、「タンゴ・冬の終わりに」（15）などの舞台演出も手掛け、その功績が認められ16年、毎日芸術賞 演劇部門寄託賞の第18回千田是也賞を受賞した。

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プロデューサー・VFXプロデューサー

代表作：「坂の上の雲」「八重の桜」「東京裁判」「真田丸」「AH BOYS 2 MEN 」 現在、「いだてん」（海外制作プロデューサー兼VFXプロデューサー）が放送中

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音のユニバーサルデザイン化に取り組む「SoundUD推進コンソーシアム」主催により、テレビ放送における字幕について、様々な立場から現状と課題を捉え、昨今注目されている自動音声認識技術を活用した「自動字幕」について、どうあるべきかを語るトークセッションを行います。

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1 ) [2] => Array ( [id] => 6555 [category_name] => [name] => 竹田 茂 [organization_name] => スタイル株式会社 代表取締役 [description] => [title_name] => WirelessWire News 発行人 [image_flg] => 1 ) ) ) ) ) [99] => Array ( [id] => 1043 [event_id] => 11 [name] => ローカル局の放送外ビジネス2.0 ～放送×ネット×地域のトライアングル～ [description] => 地域課題が増大する中、地域メディアの役割は一層重要になってきています。しかしローカル局の広告ビジネスは厳しさを増しており、新たな収入を得る為のアイデアの構築が急務です。放送、ネット、リアルなつながりという“三位一体”で、かつ“地域ファースト”の発想で取り組む放送外ビジネスの新たな潮流をお伝えします。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 1 [limit_count] => 600 [current_count] => 597 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 152 [classes_name] => CN [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 111 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [conference_date] => 2019-11-15 [conference_date_end] => [time_start] => 12:30 [time_end] => 13:30 [tags] => CONNECTED%% %%企画セッション [sort] => 0 [time_start_hour] => 12 [time_start_minute] => 30 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4637 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6557 [category_name] => モデレーター [name] => 村上 圭子 [organization_name] => 日本放送協会 [description] => [title_name] => 放送文化研究所 メディア研究部 研究主幹 [image_flg] => 1 ) [1] => Array ( [id] => 6559 [category_name] => パネリスト [name] => 伴 俊満 [organization_name] => 株式会社ビープラスト（サガテレビグループ会社） [description] => [title_name] => コンテンツメディアグループ [image_flg] => 1 ) [2] => Array ( [id] => 6561 [category_name] => [name] => 二宮 以紀 [organization_name] => 南海放送株式会社 [description] => [title_name] => 技術局技術戦略部 部長　兼　メディア統括局メディア広報部 [image_flg] => 1 ) [3] => Array ( [id] => 7271 [category_name] => [name] => 北折 政樹 [organization_name] => 中京テレビ放送株式会社 [description] => [title_name] => ビジネス推進局 インターネット事業部 [image_flg] => 1 ) ) ) ) ) [100] => Array ( [id] => 1045 [event_id] => 11 [name] => 放送コンテンツの海外展開　次の一手は配信か？ [description] => 日本の放送番組は、番組販売で海外に展開され、販売先では放送と配信の双方での展開が一般的となっています。フォーマット販売など番組販売以外もすでに多くの実績をあげています。 本セッションでは、海外に詳しいお二人をお迎えし、国内では番組配信が進むなか、海外に向けての次の一手をうかがいます。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 600 [current_count] => 377 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 153 [classes_name] => CN [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 111 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [conference_date] => 2019-11-15 [conference_date_end] => [time_start] => 14:00 [time_end] => 15:00 [tags] => CONNECTED%% %%企画セッション [sort] => 0 [time_start_hour] => 14 [time_start_minute] => 0 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4639 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6563 [category_name] => モデレーター [name] => 岩田 淳 [organization_name] => 株式会社テレビ朝日 [description] => [title_name] => 経営戦略局　経営戦略部　渉外担当部長　
兼　インターネット・オブ・テレビジョンセンター [image_flg] => 1 ) [1] => Array ( [id] => 6565 [category_name] => パネリスト [name] => 大場 吾郎 [organization_name] => 佛教大学 [description] => [title_name] => 社会学部教授 [image_flg] => 1 ) [2] => Array ( [id] => 6567 [category_name] => [name] => 薄井 裕介 [organization_name] => 株式会社東京放送ホールディングス [description] => [title_name] => 上級専門職 局次長待遇 メディア企画室
兼 総合マーケティングラボ ビジネス戦略部 [image_flg] => 1 ) ) ) ) ) [101] => Array ( [id] => 1047 [event_id] => 11 [name] => INTER BEE CONNECTED Wrap Upトークセッション～これまでの5年これからの5年～ [description] => Inter BEEの特別企画であるConnectedがスタートして今年で5年（6回目）。放送を巡る環境が大きく変化する中、Connectedは常に時代を先取りし、新たなサービスやチャレンジを取り上げてきました。 今年のラストセッションは、Connectedの3日間を企画プロデュースしてきた経験豊富なアドバイザリーボードメンバーが、この5年間を振り返るとともに次の5年、放送がどう変化するかを占います。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 600 [current_count] => 456 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 154 [classes_name] => CN [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 111 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [conference_date] => 2019-11-15 [conference_date_end] => [time_start] => 15:30 [time_end] => 17:00 [tags] => CONNECTED%% %%企画セッション [sort] => 0 [time_start_hour] => 15 [time_start_minute] => 30 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4641 [name] => Inter BEE CONNECTED　アドバイザリーボードメンバー [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6569 [category_name] => モデレーター [name] => 塚本 幹夫 [organization_name] => 株式会社ワイズ・メディア 取締役 [description] => [title_name] => メディアストラテジスト
フラー株式会社 常勤監査役 [image_flg] => 1 ) [1] => Array ( [id] => 6571 [category_name] => パネリスト [name] => 安藤 聖泰 [organization_name] => 株式会社LivePark [description] => [title_name] => 代表取締役社長 [image_flg] => 1 ) [2] => Array ( [id] => 6573 [category_name] => [name] => 岩田 淳 [organization_name] => 株式会社テレビ朝日 [description] => [title_name] => 経営戦略局　経営戦略部　渉外担当部長　
兼　インターネット・オブ・テレビジョンセンター [image_flg] => 1 ) [3] => Array ( [id] => 6575 [category_name] => [name] => 齊藤 浩史 [organization_name] => 株式会社毎日放送 [description] => [title_name] => 経営戦略室　メディア戦略部長 [image_flg] => 1 ) [4] => Array ( [id] => 6577 [category_name] => [name] => 境 治 [organization_name] => メディアコンサルタント [description] => [title_name] => [image_flg] => 1 ) [5] => Array ( [id] => 6579 [category_name] => [name] => 布瀬川 平 [organization_name] => 株式会社電通 [description] => [title_name] => ラジオテレビビジネスプロデュース局次世代テレビビジネス統轄部長 [image_flg] => 1 ) [6] => Array ( [id] => 6581 [category_name] => [name] => 村上 圭子 [organization_name] => 日本放送協会 [description] => [title_name] => 放送文化研究所 メディア研究部 研究主幹 [image_flg] => 1 ) ) ) ) ) [102] => Array ( [id] => 1055 [event_id] => 11 [name] => ハリウッド・スーパーセッション ～ザ・メイキングオブライオンキング Part2～ [description] => 「ハリウッド・スーパーセッション」 〜「ライオンキング」はこうして作られた！！ この夏、全世界で大ヒットとなった、「ライオンキング」のクリエイターの来日決定！ VFXスーパーバイザーのエリオット・ニューマン氏による、2日に渡る「ハリウッド・スーパーセッション」 もちろん日本初公開！あの、「ライオンキング」がどうやって作られたか？ その話を直に聞けるのは、INTER BEE CREATIVE 是非この貴重なセッションをお見逃しなく！ [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 1 [limit_count] => 300 [current_count] => 280 [interpretation_flg] => 2 [conference_classes_id] => 317 [class_code] => 151 [classes_name] => CR [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 113 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [conference_date] => 2019-11-15 [conference_date_end] => [time_start] => 10:30 [time_end] => 11:15 [tags] => CREATIVE%% %%企画セッション [sort] => 0 [time_start_hour] => 10 [time_start_minute] => 30 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4649 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6591 [category_name] => [name] => Elliot Newman [organization_name] => MPC Film [description] => [title_name] => VFX Supervisor [image_flg] => 1 ) ) ) ) ) [103] => Array ( [id] => 1057 [event_id] => 11 [name] => HDR制作環境構築における留意点 [description] => HDRコンテンツの需要は急速に高まっているが、最近まで家庭または制作環境でHDRのフリッカーや点滅の影響を測定参照できるものはなかった。
ITU-RはITU-R BT.1702のガイドラインをHDRを含む形で更新し今年10月末に改訂版をリリースした。
このセッションでは安全なHDR制作作業環境を作るために考慮するべき点やベストプラクティスについて述べる。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 300 [current_count] => 261 [interpretation_flg] => 0 [conference_classes_id] => 317 [class_code] => 152 [classes_name] => CR [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 113 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [conference_date] => 2019-11-15 [conference_date_end] => [time_start] => 11:30 [time_end] => 12:15 [tags] => CREATIVE%% %%企画セッション [sort] => 0 [time_start_hour] => 11 [time_start_minute] => 30 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4651 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6593 [category_name] => [name] => アンディ・クエステッド [organization_name] => BBC, Chair ITU-R Working Part 6C, Chair EBU Production Strategic Programme, [description] => [title_name] => Lead BBC Production Standards [image_flg] => 1 ) [1] => Array ( [id] => 6595 [category_name] => [name] => 清野晶宏 [organization_name] => 株式会社IMAGICA Lab. [description] => [title_name] => エンターテイメント事業本部 シニアテクニカルディレクター [image_flg] => 1 ) ) ) ) ) [104] => Array ( [id] => 1059 [event_id] => 11 [name] => 先端映像技術への挑戦　＜第４弾＞ 〜４K放送開始からもうすぐ一年！４Ｋ番組制作現場から（HLG編）～ [description] => - [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 300 [current_count] => 218 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 153 [classes_name] => CR [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 113 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [conference_date] => 2019-11-15 [conference_date_end] => [time_start] => 13:00 [time_end] => 13:45 [tags] => CREATIVE%% %%企画セッション [sort] => 0 [time_start_hour] => 13 [time_start_minute] => 0 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4653 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6597 [category_name] => [name] => 中垣 宏規 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => エディター [image_flg] => 1 ) [1] => Array ( [id] => 6599 [category_name] => [name] => 石黒 一哉 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => カラーリスト [image_flg] => 1 ) [2] => Array ( [id] => 6601 [category_name] => [name] => 竹内 明弘 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => 技術顧問 [image_flg] => 1 ) [3] => Array ( [id] => 6603 [category_name] => [name] => 山田 敏弘 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => プロデューサー [image_flg] => 1 ) ) ) ) ) [105] => Array ( [id] => 1175 [event_id] => 11 [name] => デジタルガーデンが提案する次世代の映像制作の形 [description] => - [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 0 [limit_count] => 300 [current_count] => 215 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 154 [classes_name] => CR [classes_color] => 000000 [conference_place_groupes_id] => 35 [place_groupes_name] => 展示ホール [conference_places_id] => 113 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [conference_date] => 2019-11-15 [conference_date_end] => [time_start] => 14:00 [time_end] => 14:45 [tags] => CREATIVE%% %%企画セッション [sort] => 0 [time_start_hour] => 14 [time_start_minute] => 0 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4805 [name] => 「One-stop Work flow」と「High-Speed Creation」 [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6795 [category_name] => [name] => 山田 悠生 [organization_name] => 株式会社デジタル・ガーデン [description] => [title_name] => [image_flg] => 1 ) ) ) ) ) [106] => Array ( [id] => 1283 [event_id] => 11 [name] => 山田智和「映像作家としてのこれまでとこれから」 [description] => あいみょん「マリーゴールド」、米津玄師「Lemon」「Flamingo」など、再生回数1億超えの映像を多数生み出すヒットメーカー・山田智和氏。ほかにもサカナクション、水曜日のカンパネラ、星野源のMVや、新垣結衣のGMOのCMなど、彼の手がけた話題作は枚挙にいとまがありません。 MVやCMが「冬の時代」と呼ばれる中でも彼の作品はなぜ見る人を惹きつけるのか。映像作りの秘訣について山田智和氏に話を聞きます。 [reserve_flg] => 0 [view_flg] => 1 [status_flg] => 1 [limit_count] => 300 [current_count] => 300 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