Inter BEE 2019

INTER BEE SPORT

ライブ、放送、配信とスポーツ観戦の幅が広がり、スポーツコンテンツは多くの人々が支持するエンターテインメントとして急速に進化しています。表現の枠を拡張し、スポーツコンテンツを変革するテクノロジ、ソフト、ツール、サービスが集まり、展示とプレゼンテーションで新たなビジネス創造の場を展開します。

出展イメージ

出展者

基調講演

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 手話通訳付き 

セッショントピックは「スポーツ文化の発展とテレビの役割」「日本テレビの『姿勢と準備』~ラグビーW杯成功の裏側」「東京パラリンピックのレガシーとテレビの役割」となります。

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開会式・閉会式担当 エグゼクティブプロデューサー
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グローバルメディアビジネスと変化のテクノロジードライバー [description] => コンテンツへの投資とデジタルプラットフォームの高まりによってグローバルメディア業界に変革が生じています。メディア企業は規模と速度を追及し続けることで自社のサービスへの注目を集め、競争が激化する市場での生き残りを目指しています。これによってメディア技術の需要がフレキシブルなビジネスモデルに向けて急速に変化しています。メディア技術ビジネスに関するIABMのデータドリブンな見識に基づき、このセッションでは競争、投資そして速度に対する必要性の高まりを含めたメディアビジネスの力学の変化がクラウドやAI/MLワークフローの採用からIPやUHDインフラの導入までを含めた技術の採択に影響を与えているかを検証します。 [status_flg] => 0 [interpretation_flg] => 0 [conference_classes_id] => 305 [class_code] => 134 [conference_place_groupes_id] => 31 [conference_places_id] => 101 [conference_date] => 2019-11-13 [tags] => 特別講演4%% %%FORUM [time_start] => 16:20 [time_end] => 17:20 [classes_name] => SP [classes_color] => 000000 [places_name] => 国際会議室 [time_start_minute] => 20 [time_start_hour] => 16 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4523 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6301 [category_name] => [name] => ロレンツォ・ザンニ [organization_name] => IABM 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Computingについて解説して頂くと共に、現在のCGIプロダクションで取り組まれているCG&VFXについても紹介して頂きます。 後半では、「NHKスペシャル 恐竜超世界」のCG/VFXスーパーバイザーを務めるNHKの松永孝治氏に、「恐竜超世界」のCG/VFX制作の状況を中心にお話ししただき、昔と今の違いなども交えながら、番組制作の中で蓄積されてきたNHK・CG制作チームの活動を紹介して頂きます。 このお二人の講演を元に、CGによる感情表現やインパクトのある映像表現など、人に寄り添うCG/VFX制作への取り組み方について、パネル・ディスカッションを行います。 モデレーターは、NHKでCGやデジタル技術による映像制作の創成期から関わり、先端技術動向に詳しい元女子美術大学教授の為ケ谷秀一氏が務めます。 [status_flg] => 0 [interpretation_flg] => 2 [conference_classes_id] => 307 [class_code] => 133 [conference_place_groupes_id] => 31 [conference_places_id] => 103 [conference_date] => 2019-11-13 [tags] => テクニカルセッション3%% %% FORUM [time_start] => 14:05 [time_end] => 15:25 [classes_name] => TC [classes_color] => 000000 [places_name] => 201会議室 [time_start_minute] => 5 [time_start_hour] => 14 [time_diff] => 80 [themes] => Array ( [0] => Array ( [id] => 4549 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6355 [category_name] => [name] => Diana Arellano [organization_name] 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Array ( [0] => Array ( [id] => 6361 [category_name] => [name] => 石津 智大 [organization_name] => ロンドン大学 [description] => [title_name] => ユニバーシティ校シニアリサーチフェロー 博士(心理学) [image_flg] => 1 ) [1] => Array ( [id] => 6363 [category_name] => [name] => 河合 隆史 [organization_name] => 早稲田大学 理工学術院 基幹理工学部 [description] => [title_name] => 表現工学科・教授 博士(人間科学) [image_flg] => 1 ) ) ) ) ) [10] => Array ( [id] => 985 [event_id] => 11 [view_flg] => 1 [name] => 「超低遅延かつ安定した動画配信を今すぐ実現!世界大手の放送局・OTTサービスプロバイダーとLiveParkの事例から見る動画配信における課題とその克服方法」 [description] => インターネットを介した動画配信における遅延解消、突発的なアクセス増への対策、放送品質の配信の実現。そしてライブ配信への注目が増加する昨今、視聴者の心をつかみ続け、ロイヤルティを高めるためのベストプラクティスは?DAZN、楽天Viki、Dailymortion、Channel 4など、世界をリードするOTTサービスプロバイダや放送局が抱えていた配信における課題は、日本におけるそれらとなんら違いはありません。本セッションでは複数の顧客事例からみた課題とそれらを克服するヒントを、製品戦略担当VPが詳しく解説します。また、5G時代の新しいエンタテインメントを提供する株式会社LiveParkの小野寺様には、テレビ放送と完全同期したライブ実況や、ユーザーと配信者が一体となってイベントに参加するライブ配信サービスの開発など新しいユーザー体験を実現した事例を、直接お話いただきます。 [status_flg] => 1 [interpretation_flg] => 2 [conference_classes_id] => 309 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[view_flg] => 1 [name] => 放送システムのIP化のための技術要素 〜 マルチキャスト、同期、自動化、可視化、ネットワークデザイン詳説~ [description] => メディア制作に関わる企業は、プリプロダクション、ポストプロダクション、あるいはリアルタイムのブロードキャストのいずれにおいても、取り扱うコンテンツの増大と取り組みつつ、その制作物をいち早く市場に送り出すことに努めています。デジタル撮影や編集の技術と新しい世代のアニメーションのワークフローは、複数のイメージのストリームを生成し、そのストリームはリアルタイムかつノンリニアに処理されたのち、様々なフォーマットで受け手にIP送信されます。CGIやアニメーションの制作スタジオでは、いち早くIPベースのEthernetインフラを導入し、そのコストパフォーマンスの高さと投資の保護というメリットを享受してきました。イメージ、ファイル、トランスポートのためのプロトコルを、COTSと呼ばれる汎用的なコンピューターと標準ベースのIP/Ethernetネットワークの上で処理することにより、ファイルベースのワークフローをシンプルに整備することができました。これらのオープンなアーキテクチャは、システムのスケーラビリティを高め、また技術の革新をより容易にしていきました。 リアルタイムのブロードキャストのワークフローを、SDIクロスポイントスイッチからEthenetベースのIPに移行することは、大きなチャレンジです。映像、音声の品質と同期を確保しつつ、デバイス間の相互接続性をとり、さらにスケールするシステムを構築するには、新たな同期や制御のためのスタンダードが必要です。また、操作卓上での操作をIPベースのネットワークに正確にかつ迅速に伝達するためには、オープンで標準ベースのAPIの開発も重要です。SMPTE、VSFなどの業界標準化団体によって定義された各標準が、商用利用可能な状態でIP/Ethernetプラットフォームに実装されてきています。業界内の支持者と次々に出てくる革新者たちによって実用化されたこれらのソリューションは、将来の移行のためのコストを最小限に抑えながら、新しい形態のコンテンツ制作を可能にし、また現行および将来の撮影・録音、編集、ディスプレイのフォーマットをサポートしています。高速で、スケーラビリティに富んだIPネットワークインフラで、エンドポイントのシステムを容易にかつ高信頼で相互接続するということこそ、この移行を可能とするための技術基盤です。 本セッションでは、このIPネットワークを構築するために必要となるIPマルチキャスト、PTP同期、ネットワークデザインなどを詳細に解説します。 ます。デジタル撮影や編集の技術と新しい世代のアニメーションのワークフローは、複数のイメージのストリームを生成し、そのストリームはリアルタイムかつノンリニアに処理されたのち、様々なフォーマットで受け手にIP送信されます。CGIやアニメーションの制作スタジオでは、いち早くIPベースのEthernetインフラを導入し、そのコストパフォーマンスの高さと投資の保護というメリットを享受してきました。イメージ、ファイル、トランスポートのためのプロトコルを、COTSと呼ばれる汎用的なコンピューターと標準ベースのIP/Ethernetネットワークの上で処理することにより、ファイルベースのワークフローをシンプルに整備することができました。これらのオープンなアーキテクチャは、システムのスケーラビリティを高め、また技術の革新をより容易にしていきました。 リアルタイムのブロードキャストのワークフローを、SDIクロスポイントスイッチからEthenetベースのIPに移行することは、大きなチャレンジです。映像、音声の品質と同期を確保しつつ、デバイス間の相互接続性をとり、さらにスケールするシステムを構築するには、新たな同期や制御のためのスタンダードが必要です。また、操作卓上での操作をIPベースのネットワークに正確にかつ迅速に伝達するためには、オープンで標準ベースのAPIの開発も重要です。SMPTE、VSFなどの業界標準化団体によって定義された各標準が、商用利用可能な状態でIP/Ethernetプラットフォームに実装されてきています。業界内の支持者と次々に出てくる革新者たちによって実用化されたこれらのソリューションは、将来の移行のためのコストを最小限に抑えながら、新しい形態のコンテンツ制作を可能にし、また現行および将来の撮影・録音、編集、ディスプレイのフォーマットをサポートしています。高速で、スケーラビリティに富んだIPネットワークインフラで、エンドポイントのシステムを容易にかつ高信頼で相互接続するということこそ、この移行を可能とするための技術基盤です。 本セッションでは、このIPネットワークを構築するために必要となるIPマルチキャスト、PTP同期、ネットワークデザインなどを詳細に解説します。 [status_flg] => 1 [interpretation_flg] => 1 [conference_classes_id] => 309 [class_code] => 133 [conference_place_groupes_id] => 33 [conference_places_id] => 105 [conference_date] => 2019-11-13 [tags] => コンファレンススポンサー%% %%FORUM [time_start] => 15:00 [time_end] => 17:00 [classes_name] => CS1 [classes_color] => 000000 [places_name] => 103会議室 [time_start_minute] => 0 [time_start_hour] => 15 [time_diff] => 120 [themes] => 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=> 13 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4545 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6339 [category_name] => パネリスト [name] => 小倉 敏之 [organization_name] => ソニーホームエンタテインメント&サウンドプロダクツ株式会社 [description] => [title_name] => TV事業本部 技術戦略室 主幹技師 [image_flg] => 1 ) [1] => Array ( [id] => 6899 [category_name] => [name] => 甲斐 創 [organization_name] => 日本テレビ放送網株式会社 [description] => [title_name] => 技術統括局技術戦略統括部 担当副部長 [image_flg] => 1 ) [2] => Array ( [id] => 6341 [category_name] => [name] => 今塚 誠 [organization_name] => 株式会社キュー・テック [description] => [title_name] => 映像部 第一編集グループ チーフテクニカルアドバイザー/シニアカラリスト [image_flg] => 1 ) [3] => Array ( [id] => 6343 [category_name] => [name] => 北村 宏一 [organization_name] => 株式会社テレビ東京 [description] => [title_name] => IT推進局配信技術部 兼 技術局制作技術センター 主事 [image_flg] => 1 ) [4] => Array ( [id] => 6345 [category_name] => モデレータ [name] => 森 俊文 [organization_name] => 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[description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6429 [category_name] => [name] => 村上 建治郎 [organization_name] => 株式会社Spectee(スペクティ) [description] => [title_name] => 代表取締役CEO [image_flg] => 1 ) ) ) ) ) [14] => Array ( [id] => 1003 [event_id] => 11 [view_flg] => 1 [name] => 先進映像協会ルミエール・ジャパン・アワード2019表彰式 [description] => 良質な3D、UHD(4K・8K)、VR作品へ贈られるルミエール・ジャパン・アワードと、当該分野の発展への寄与 が期待される取り組みへ贈られるグッドプラクティス・アワードの、今年度の受賞者を表彰・公表いたします。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 313 [class_code] => 131 [conference_place_groupes_id] => 35 [conference_places_id] => 109 [conference_date] => 2019-11-13 [tags] => IGNITION%% %%企画セッション [time_start] => 10:30 [time_end] => 12:00 [classes_name] => IG [classes_color] => 000000 [places_name] => 展示ホール 6 IGNITION内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 10 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4597 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6433 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [15] => Array ( [id] => 1005 [event_id] => 11 [view_flg] => 1 [name] => 教育はデジタルで変われるのか?変われないのか? [description] => テクノロジーの進化により、教育はどのようにアップデートされうるのか? 教育の世界では今、STEAM、アダプティブラーニング、ICT化など、様々なキーワードが飛び交い、異業種からの参入も目立ってきている。教室という空間を飛び越え、時間割の概念をアップデートする、新たな教育とは? その最先端を走るプレイヤーたちを官民からパネリストに招き、未来の教育について語り合う。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 313 [class_code] => 132 [conference_place_groupes_id] => 35 [conference_places_id] => 109 [conference_date] => 2019-11-13 [tags] => IGNITION%% %%企画セッション [time_start] => 13:00 [time_end] => 14:30 [classes_name] => IG [classes_color] => 000000 [places_name] => 展示ホール 6 IGNITION内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 13 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4599 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6435 [category_name] => パネリスト [name] => 浅野 大介 [organization_name] => 経済産業省 [description] => [title_name] => 商務・サービスグループ サービス政策課長(併)教育産業室長 [image_flg] => 1 ) [1] => Array ( [id] => 6437 [category_name] => [name] => 山脇 智志 [organization_name] => キャスタリア株式会社 [description] => [title_name] => 代表取締役 [image_flg] => 1 ) [2] => Array ( [id] => 6801 [category_name] => [name] => 植山 智恵 [organization_name] => Project M’INT [description] => [title_name] => ファウンダー ミネルバ大学大学院卒業 [image_flg] => 1 ) [3] => Array ( [id] => 6439 [category_name] => モデレーター [name] => 杉浦 太一 [organization_name] => 株式会社CINRA [description] => [title_name] => 代表取締役 [image_flg] => 1 ) ) ) ) ) [16] => Array ( [id] => 1007 [event_id] => 11 [view_flg] => 1 [name] => クラブカルチャー最前線、東京のナイトライフは進化するか? [description] =>

 同時配信あり 
 本セッションはDOMMUNE にてライブストリーミング配信いたします

人はダンスをする生き物だ。なぜ踊るのか、なぜ踊りに魅せられるのか?
ダンスフロアから、今後はどんなカルチャーが生まれていくのか?

東京オリンピック・パラリンピックを控え、ナイトタイムエコノミーへの機運が高まる昨今にて、都市とナイトシーンの密なる関係を読み解くトークセッション。
ゲストには世界中のDJを毎晩招き、東京のクラブシーンを支え続けてきたDOMMUNEの宇川直宏、そして今年のベルリンの壁崩壊30周年に紐づき、東京とベルリンをつなぐイベント「After30」の仕掛け人のひとりであり、都市と文化の生態系を探求するNIONの井口奈保が登壇。クラブシーンにおいて、今後のデジタルメディア産業は何を見すえるべきか、また踊りという文化が、いかに人を魅了し、場の力を生み出すかについて語る。

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 軽食付き 

 同時配信あり 
 本セッションはDOMMUNE にてライブストリーミング配信いたします



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在京5社視聴データサービス等推進会議 主査 [description] => [title_name] => (テレビ朝日 IoTvセンタービッグデータ担当部長) [image_flg] => 1 ) ) ) ) ) [19] => Array ( [id] => 1027 [event_id] => 11 [view_flg] => 1 [name] => 若年層のカジュアル動画視聴 ~その実態から探る今後の動画サービスへのヒント~ [description] => いまや日常のあらゆるシーンに動画視聴への入口が広がっている。 スマートフォンとともに育った若年層にとって、視聴の入口となるジャンル区分は「スポーツ」「ドラマ」「アニメ」「バラエティ」などの整然とした分類に収まらなくなった。 テレビ放送や番組配信事業という視点をいったんカッコにくくってみると、若者の日常にどのような動画生態系の広がりがあるのか見えてくる。 電通の独自調査とアプリの利用ログのオリジナル分析から、若年層のカジュアルな動画視聴の実態を明らかにすることで、逆に今後の動画サービス構築へのヒントを探る。 [status_flg] => 1 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 133 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-13 [tags] => CONNECTED%% %%企画セッション [time_start] => 15:00 [time_end] => 16:00 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 15 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4621 [name] => [description] => - [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6495 [category_name] => モデレーター [name] => 奥 律哉 [organization_name] => 株式会社電通 [description] => [title_name] => 電通総研 フェロー
電通メディアイノベーションラボ 統括責任者 [image_flg] => 1 ) [1] => Array ( [id] => 6497 [category_name] => パネリスト [name] => 美和 晃 [organization_name] => 株式会社電通 [description] => [title_name] => 電通メディアイノベーションラボ メディアイノベーション研究部長 [image_flg] => 1 ) [2] => Array ( [id] => 6499 [category_name] => [name] => 森下 真理子 [organization_name] => 株式会社電通 [description] => [title_name] => 電通メディアイノベーションラボ メディアイノベーション研究部主任研究員 [image_flg] => 1 ) ) ) ) ) [20] => Array ( [id] => 1029 [event_id] => 11 [view_flg] => 1 [name] => データで解明する!スポーツ番組の視聴の"質&価値"の最新動向!? [description] => バレーボールW杯、サッカーW杯予選、世界陸上、日本代表が大活躍しているラグビーW杯、まさにスポーツの秋ですが、 本命は来年夏の東京オリンピックではないでしょうか。本セッションでは「テレビとスポーツ」をテーマに、データから、 スポーツのテレビ視聴と、その価値について、テレビデータ企業2社、日本コカ・コーラ様からお話しをいただきます。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 134 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-13 [tags] => CONNECTED%% %%企画セッション [time_start] => 16:20 [time_end] => 17:30 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 20 [time_start_hour] => 16 [time_diff] => 70 [themes] => Array ( [0] => Array ( [id] => 4623 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6501 [category_name] => モデレーター [name] => 深田 航志 [organization_name] => 株式会社インテージ [description] => [title_name] => コミュニケーション事業本部
テレビデータ戦略担当マネージャー [image_flg] => 1 ) [1] => Array ( [id] => 6507 [category_name] => パネリスト [name] => 池田 哲也 [organization_name] => 日本コカ・コーラ株式会社 [description] => [title_name] => マーケティング本部
IMC コネクションプランニング&メディア グループマネージャー [image_flg] => 1 ) [2] => Array ( [id] => 6503 [category_name] => [name] => 郡谷 康士 [organization_name] => TVISION INSIGHTS株式会社 [description] => [title_name] => 代表取締役社長 [image_flg] => 1 ) [3] => Array ( [id] => 6505 [category_name] => [name] => 山田 護 [organization_name] => 株式会社インテージ [description] => [title_name] => コミュニケーション事業本部
メディアデータ部 部長 [image_flg] => 1 ) ) ) ) ) [21] => Array ( [id] => 1305 [event_id] => 11 [view_flg] => 1 [name] => 史上初NHK4K大河ドラマ「いだてん」の技術的挑戦〜4K大河ドラマはこうして作られた [description] => - [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 132 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-13 [tags] => CREATIVE%% %%企画セッション [time_start] => 11:30 [time_end] => 12:15 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 11 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 5039 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7285 [category_name] => [name] => 高口 英史 [organization_name] => 日本放送協会 [description] => [title_name] => 放送技術局制作技術センター 制作・開発推進部 [image_flg] => 1 ) ) ) ) ) [22] => Array ( [id] => 1313 [event_id] => 11 [view_flg] => 1 [name] => 浮世の画家 ~8Kドラマの挑戦~ [description] => 2017年度のノーベル文学賞を受賞したカズオ・イシグロの出世作「浮世の画家」をスーパーハイビジョン(8K)で映像化
人の心の弱さから生まれる「悲劇」、そして思い違いから生まれる「喜劇」。
繊細で緻密なカズオ・イシグロの物語を最新8K撮影で映像化
先駆的な8Kフォーマットによる撮影、そして世界的な名優が主演する本作の制作秘話を、本作エグゼクティブ・プロデュサー自らここInter BEEにお越しいたきお話いただきます [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 134 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-13 [tags] => CREATIVE%% %%企画セッション [time_start] => 14:00 [time_end] => 14:45 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 14 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 5081 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7349 [category_name] => [name] => 内藤 愼介 [organization_name] => (株)NHKエンタープライズ [description] => プロフィール
演出作品として、連続テレビ小説「和っこの金メダル」「京、ふたり」「ええにょぼ」
大河ドラマ「八代将軍吉宗」
特集ドラマ「とおせんぼう通り」(スロバキヤにてドナウ賞)ほか

プロデュース作品として、
連続テレビ小説「オードリー」 「どんど晴れ」

大河ドラマ「天地人」(エランドール賞、エランドールプロデューサー賞) 八重の桜(エミー賞ノミネート)、
特集ドラマ「東京裁判」(エミー賞ノミネート)、
大河ファンタジー「精霊の守り人」。
近年では、ノーベル賞作家カズオ・イシグロの「浮世の画家」を8Kスペシャルドラマとして制作 [title_name] => 制作本部 ドラマ番組
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- 映像制作において、何が“ベンダー”を”パートナー”に変えるのか?
- Animal Logicで働いていた私がなぜデルで働くことを決めたのか、またなぜデルは私を迎えたのか
- M&E業界に関するリスクと機会
- なぜクラウドへの移行が進むのか
- クラウドの新しい定義
- なぜ映像作品は作品ごとに制作環境が異なるのか
- なぜ“データ ファースト”でなければならないのか
- “データ ファースト”を実現するアーキテクチャとは?
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メディア&エンターテインメント業界担当 事業開発マネージャ
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 日中逐次通訳付き 

世界的にも先鋭的な取組みを行なっている都市「深圳と渋谷」。
「都市のメディア化」として世界中で取り上げられた、深圳の春節。
既に、スマートデバイスをインターフェイスに、電子通貨、無人コンビニ、自動運転等々が社会実装され、日常生活に当たり前のように溶け込んでいる。
渋谷は今まさに「100年に一度の再開発」により、大きく生まれ変わろうとしている。
テクノロジーの発展とともに劇的なスピードで進化を続けている都市での日常生活に於いて、メディアのあり方も更に大きく変わろうとしている今、この二つの代表的な都市の仕掛人をお招きし、取組みをご紹介いただくと共に、描くビジョンと、そこに至ったそれぞれの背景、メディアのあり方などについてトークセッションを展開して行く。

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12万人から選ばれたベストカラアゲニスト 北海道ザンギ応援大使 [image_flg] => 1 ) ) ) ) ) [56] => Array ( [id] => 1031 [event_id] => 11 [view_flg] => 1 [name] => 消費行動の変化に広告主はどう対応し、テレビ業界は何をすべきか? [description] => 「消費行動の変化」そして「広告主の対応」という放送業界が注目せざるおえないテーマを議論します。 日本のECのトップを走る楽天と、最大の広告主・花王からパネリストとして登壇いただきます。 背景としては、ここ数年、消費者のEC起点のメディア行動が高まっていますが、一昔前までは、とりあえずテレビCMを打って店頭に商品を置けばモノが売れていました。しかし例えば中国では流通の中でECが占める割合が大きく増加し、広告主の対応は日本と大きく変わってきています。 この変化は、日本でも起きつつあるという現状を理解いただき、今後どう変化するのか?各パネリストから話を伺います。 放送業界のすべきことは何か?TVerは答えになるのか?などを議論します。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 141 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-14 [tags] => CONNECTED%% %%企画セッション [time_start] => 10:30 [time_end] => 12:00 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 10 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4625 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6509 [category_name] => モデレーター [name] => 安藤 聖泰 [organization_name] => 株式会社LivePark [description] => [title_name] => 代表取締役社長 [image_flg] => 1 ) [1] => Array ( [id] => 6511 [category_name] => パネリスト [name] => 生井 秀一 [organization_name] => 花王株式会社 [description] => [title_name] => 先端技術戦略室 マネージャー [image_flg] => 1 ) [2] => Array ( [id] => 6513 [category_name] => [name] => 盧 誠錫 [organization_name] => 楽天株式会社 グローバルアドディビジョン 市場ソリューション推進部 ゼネラルマネージャー
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ライツ事業戦略部プロデューサー兼コンテンツ事業センターコンテンツ事業室 [image_flg] => 1 ) ) ) ) ) [57] => Array ( [id] => 1033 [event_id] => 11 [view_flg] => 1 [name] => GYAOとAbemaTVに聞く映像メディアの次のステップ [description] => このセッションではGYAOとAbemaTVそれぞれの事業責任者の方にご登壇いただき、映像メディアの現状と今後についてディスカッションします。とくにテレビコンテンツがネット上で広告価値をどれくらい持っているか、掘り下げていきます。ネットでのテレビ番組の可能性について考えていくセッションです。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 142 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-14 [tags] => CONNECTED%% %%企画セッション [time_start] => 13:00 [time_end] => 14:00 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 13 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4627 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6517 [category_name] => モデレーター [name] => 松浦シゲキ [organization_name] => スマートニュース株式会社 [description] => [title_name] => ディレクター [image_flg] => 1 ) [1] => Array ( [id] => 6519 [category_name] => パネリスト [name] => 小池 政秀 [organization_name] => 株式会社サイバーエージェント [description] => [title_name] => 常務取締役 [image_flg] => 1 ) [2] => Array ( [id] => 6521 [category_name] => [name] => 田中 祐介 [organization_name] => ヤフー株式会社 執行役員 メディアカンパニー 映像サービス統括本部長 [description] => [title_name] => 株式会社 GYAO 代表取締役社長 [image_flg] => 1 ) ) ) ) ) [58] => Array ( [id] => 1035 [event_id] => 11 [view_flg] => 1 [name] => キー局攻めのメディア戦略 [description] => 昨年テレビ朝日が「IoTセンター」を新設したのに続き、民放キー局各社がメディア対応の組織を新設。視聴率をベースにした放送広告収入を柱とする従来のビジネスモデルから、視聴データ、放送同時配信時代に向けた胎動が始まりました。総合メディア推進本部という新設組織を立ち上げたフジテレビ。営業局の組織を大きく再編した日本テレビと、それを受ける側の電通からキーマンに登壇していただき、ネット時代の新たなメディア戦略を伺います。 [status_flg] => 1 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 143 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-14 [tags] => CONNECTED%% %%企画セッション [time_start] => 14:30 [time_end] => 15:30 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 14 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4629 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6523 [category_name] => モデレーター [name] => 塚本 幹夫 [organization_name] => 株式会社ワイズ・メディア 取締役 [description] => [title_name] => メディアストラテジスト
フラー株式会社 常勤監査役 [image_flg] => 1 ) [1] => Array ( [id] => 6525 [category_name] => パネリスト [name] => 樋口 薫子 [organization_name] => 株式会社フジテレビジョン [description] => [title_name] => 総合メディア推進本部 局長 [image_flg] => 1 ) [2] => Array ( [id] => 6529 [category_name] => [name] => 黒崎 太郎 [organization_name] => 日本テレビ放送網株式会社 [description] => [title_name] => 営業局長 [image_flg] => 1 ) [3] => Array ( [id] => 6527 [category_name] => [name] => 植木 崇文 [organization_name] => 株式会社電通 [description] => [title_name] => ラジオテレビビジネスプロデュース局動画ビジネス推進部長 [image_flg] => 1 ) ) ) ) ) [59] => Array ( [id] => 1037 [event_id] => 11 [view_flg] => 1 [name] => ネットが盛り上がれば何かが起こる?番組制作とSNS活用 [description] => このセッションでは、制作者とSNSにフォーカスし、SNS戦術を自ら考える制作者や、制作者と連携をとりながらSNSを駆使する担当者にお集まりいただきます。制作作業とSNS業務をどうバランスを取るのか、あるいはどう連携すればうまくいくのかなど具体的なテーマでディスカッションしていただきます。 [status_flg] => 1 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 144 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-14 [tags] => CONNECTED%% %%企画セッション [time_start] => 15:50 [time_end] => 17:00 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 50 [time_start_hour] => 15 [time_diff] => 70 [themes] => Array ( [0] => Array ( [id] => 4631 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6531 [category_name] => モデレーター [name] => 境 治 [organization_name] => メディアコンサルタント [description] => [title_name] => [image_flg] => 1 ) [1] => Array ( [id] => 6533 [category_name] => パネリスト [name] => 高 明希 [organization_name] => 日本テレビ放送網株式会社 [description] => [title_name] => 情報・制作局 ドラマプロデューサー [image_flg] => 1 ) [2] => Array ( [id] => 6535 [category_name] => [name] => 川鍋 昌彦 [organization_name] => 株式会社TBSテレビ [description] => [title_name] => 編成局宣伝部 宣伝プロデューサー [image_flg] => 1 ) [3] => Array ( [id] => 6537 [category_name] => [name] => 勝目 卓 [organization_name] => 日本放送協会 [description] => [title_name] => 制作局 第3制作ユニット ライフ [image_flg] => 1 ) ) ) ) ) [60] => Array ( [id] => 1039 [event_id] => 11 [view_flg] => 1 [name] => After Hours!~テレビは本当に生き残れるか!?テレビはどうなる?テレビをどうする?~ [description] =>

 軽食付き 

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現在、NETFLIXでオリジナルシリーズ『全裸監督』が公開中。 [title_name] => [image_flg] => 1 ) [1] => Array ( [id] => 7359 [category_name] => [name] => 結城 崇史 [organization_name] => INTER BEE CREATIVE フォーラム・ディレクター [description] => [title_name] => [image_flg] => 1 ) ) ) ) ) [63] => Array ( [id] => 1285 [event_id] => 11 [view_flg] => 1 [name] => 藤代雄一朗×林響太朗「ディレクターの視点から見た撮影、編集、カラーグレーディング」 [description] => 若手ディレクターの中には、演出はもちろんのこと、時に自ら撮影も行ない、編集やカラーグレーディングまで手がけるマルチな才能の持ち主が珍しくありません。DRAWING AND MANUALという制作会社に所属する藤代雄一朗氏と林響太朗氏の2人も、そんな新世代を代表する映像作家です。 本セッションではこの2人を招いて、ディレクターの視点から見た撮影、編集、カラーグレーディングについて語りあっていただきます。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 144 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-14 [tags] => CREATIVE%% %%企画セッション [time_start] => 14:00 [time_end] => 14:45 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 14 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4979 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7177 [category_name] => パネリスト [name] => 藤代 雄一朗 [organization_name] => [description] => [title_name] => 映像作家・撮影監督 [image_flg] => 1 ) ) ) [1] => Array ( [id] => 4981 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7179 [category_name] => [name] => 林 響太朗 [organization_name] => [description] => [title_name] => 映像作家・撮影監督 [image_flg] => 1 ) ) ) [2] => Array ( [id] => 4983 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7181 [category_name] => モデレータ [name] => 荒井 努 [organization_name] => 玄光社 [description] => [title_name] => 「コマーシャル・フォト」編集部 [image_flg] => 1 ) ) ) ) ) [64] => Array ( [id] => 1051 [event_id] => 11 [view_flg] => 1 [name] => 8K/4K高画質標準評価用コンテンツ制作手法 [description] => - [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 145 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-14 [tags] => CREATIVE%% %%企画セッション [time_start] => 15:00 [time_end] => 15:45 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 15 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4645 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6585 [category_name] => [name] => 今塚 誠 [organization_name] => 株式会社キュー・テック [description] => [title_name] => 映像部 第一編集グループ チーフテクニカルアドバイザー/シニアカラリスト [image_flg] => 1 ) [1] => Array ( [id] => 6587 [category_name] => [name] => 小池俊久 [organization_name] => 株式会社キュー・テック [description] => [title_name] => プロジェクト推進室 エクゼクティブプロデューサー [image_flg] => 1 ) ) ) ) ) [65] => Array ( [id] => 1053 [event_id] => 11 [view_flg] => 1 [name] => ハリウッド・スーパーセッション ~ザ・メイキングオブライオンキング Part1~ [description] => 「ハリウッド・スーパーセッション」 〜「ライオンキング」はこうして作られた!! この夏、全世界で大ヒットとなった、「ライオンキング」のクリエイターの来日決定! VFXスーパーバイザーのエリオット・ニューマン氏による、2日に渡る「ハリウッド・スーパーセッション」 もちろん日本初公開!あの、「ライオンキング」がどうやって作られたか? その話を直に聞けるのは、INTER BEE CREATIVE 是非この貴重なセッションをお見逃しなく! 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1968年生まれ、熊本県出身。2000年『ひまわり』が、第5回釜山国際映画祭で国際批評家連盟賞を受賞し、演出力のある新鋭として期待を集め、01年の『GO』で第25回日本アカデミー賞最優秀監督賞を始め数々の映画賞を総なめにし一躍脚光を浴びる。04年『世界の中心で、愛をさけぶ』は興行収入85億円の大ヒットを記録し社会現象となった。
以降、『北の零年』(05)、『春の雪』(05)、『クローズド・ノート』(07)、『今度は愛妻家』(10)、『パレード』(10/第60回ベルリン国際映画祭パノラマ部門・国際批評家連盟賞受賞)、『円卓』(14) 、日中合同作品『真夜中の五分前』(14)、『ピンクとグレー』(16)、故郷・熊本を舞台に撮影した『うつくしいひと』(16)、日活ロマンポルノリブート『ジムノペディに乱れる』(16)、『うつくしいひと サバ?』(17)、『ナラタージュ』(17)、『リバーズ・エッジ』(18/第68回ベルリン国際映画祭パノラマ部門・国際批評家連盟賞受賞)などがある。2020年には『窮鼠はチーズの夢を見る』『劇場』などの話題作の公開を予定している。
また、毎年4月に自身がディレクターを務める《くまもと復興映画祭》を開催するなど熊本の復興にも精力的に関わる。『うつくしいひと』『うつくしいひと サバ?』Blu-ray&DVDが発売中で、その売上げの一部は、チャリティーとして熊本復興のために寄付される。

さらに映画だけでなく舞台「趣味の部屋」(13,15)、「ブエノスアイレス午前零時」(14)、「タンゴ・冬の終わりに」(15)などの舞台演出も手掛け、その功績が認められ16年、毎日芸術賞 演劇部門寄託賞の第18回千田是也賞を受賞した。

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プロデューサー・VFXプロデューサー

代表作:「坂の上の雲」「八重の桜」「東京裁判」「真田丸」「AH BOYS 2 MEN 」 現在、「いだてん」(海外制作プロデューサー兼VFXプロデューサー)が放送中

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[description] =>

 手話通訳付き 

音のユニバーサルデザイン化に取り組む「SoundUD推進コンソーシアム」主催により、テレビ放送における字幕について、様々な立場から現状と課題を捉え、昨今注目されている自動音声認識技術を活用した「自動字幕」について、どうあるべきかを語るトークセッションを行います。

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聖闘士星矢やプリキュアを支えるストレージ基盤 [description] => - [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 311 [class_code] => 151 [conference_place_groupes_id] => 33 [conference_places_id] => 107 [conference_date] => 2019-11-15 [tags] => コンファレンススポンサー%% %%FORUM [time_start] => 10:30 [time_end] => 12:00 [classes_name] => CS2 [classes_color] => 000000 [places_name] => 104会議室 [time_start_minute] => 30 [time_start_hour] => 10 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 5041 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7289 [category_name] => [name] => 山下 浩輔 [organization_name] => 東映アニメーション株式会社 [description] => [title_name] => 製作本部 デジタル映像部 テクノロジー開発推進室 課長 兼 経営管理本部 情報システム部 課長 [image_flg] => 1 ) [1] => Array ( [id] => 7297 [category_name] => [name] => 天野 献士 [organization_name] => Dell EMC [description] => [title_name] => UDS事業本部 SE部 アドバイザリー システム エンジニア [image_flg] => 1 ) ) ) ) ) [94] => Array ( [id] => 1001 [event_id] => 11 [view_flg] => 1 [name] => 世界初のMQA音声を用いた映像コンテンツ配信デモ [description] => 2018年のInter BEEでは日本で初めてMQAによる音声ライブストリーミングデモを行い好評を博しましたが、今年は「世界初のMQA音声を用いた映像コンテンツ配信デモ」を披露します。 4K、8Kと映像は向上する一方、音声の高音質化にハイレゾを使おうとすると、転送レートが高くなってしまうという問題があります。 今年に入り、株式会社WOWOW、エヌ・ティ・ティ・スマートコネクト株式会社、株式会社アコースティックフイールドとMQAのコラボレーションにより、MQAの特徴である音声データの低転送レート、時間軸のにじみの少ない高音質を映像と組み合わせたコンテンツの研究・開発を進め、オンデマンドで配信できるようにすることを目指してきました。 今回完成した低転送レートで高音質なMQA音声と同期した映像コンテンツは、今後ホームユースだけでなく、スマートフォンのアプリなどを利用して通信環境のあるところであればどこでも視聴できる新たな高画質&高音質の世界への提案です。 またMQAブース(ホール2のプロオーディオ部門2105)ではMQA音声を用 いた映像コンテンツ配信デモ、MQA-CDなどの技術について試聴、サンプル展示、説明をする予定です。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 311 [class_code] => 152 [conference_place_groupes_id] => 33 [conference_places_id] => 107 [conference_date] => 2019-11-15 [tags] => コンファレンススポンサー%% %%FORUM [time_start] => 14:00 [time_end] => 16:00 [classes_name] => CS2 [classes_color] => 000000 [places_name] => 104会議室 [time_start_minute] => 0 [time_start_hour] => 14 [time_diff] => 120 [themes] => Array ( [0] => Array ( [id] => 4595 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6431 [category_name] => [name] => ボブ・スチュアート [organization_name] => MQA LTD. [description] => [title_name] => CTO(最高技術責任者) [image_flg] => 1 ) ) ) ) ) [95] => Array ( [id] => 1019 [event_id] => 11 [view_flg] => 1 [name] => モビリティエンタテインメント~これからの車内空間のあり方~ [description] => 少し時間はかかりますが、自動運転の時代がやがてやってきます。 中長期的に期待されるのがMaaSをはじめとするモビリティの進化で、移動車両内でのエンタメ等、モビリティに関するユーザ体験の変化が期待されています。 「ヒマな移動時間」をどう活用するのか。展示会では車内で映画を見る、買い物をするという世界観が示されていますが、果たしてそれは現実的なことなのか。クルマ、eコマース、ガラスの領域から、新たに発生する膨大な可処分時間が映像業界にとってどういう意味を持つのかをディスカッションします。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 313 [class_code] => 151 [conference_place_groupes_id] => 35 [conference_places_id] => 109 [conference_date] => 2019-11-15 [tags] => IGNITION%% %%企画セッション [time_start] => 10:30 [time_end] => 12:00 [classes_name] => IG [classes_color] => 000000 [places_name] => 展示ホール 6 IGNITION内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 10 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4613 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6473 [category_name] => パネリスト [name] => 福井 毅 [organization_name] => AGC株式会社 [description] => [title_name] => 事業開拓部 新ガラス商品展開G infoverre商品開発センター [image_flg] => 1 ) [1] => Array ( [id] => 6471 [category_name] => [name] => 益子 宗 [organization_name] => 楽天株式会社 楽天技術研究所 未来店舗デザイン研究室 室長 [description] => [title_name] => 筑波大学 芸術系 教授 [image_flg] => 1 ) [2] => Array ( [id] => 6857 [category_name] => [name] => 鈴木 万治 [organization_name] => デンソー インターナショナル アメリカ [description] => [title_name] => バイスプレジデント イノベーション [image_flg] => 1 ) [3] => Array ( [id] => 6475 [category_name] => モデレーター [name] => 江口 靖二 [organization_name] => 合同会社江口靖二事務所 [description] => [title_name] => 代表一般社団法人デジタルサイネージ コンソーシアム 常務理事 [image_flg] => 1 ) ) ) ) ) [96] => Array ( [id] => 1021 [event_id] => 11 [view_flg] => 1 [name] => 映像の力で世の中を変える-エプソンの挑戦 [description] => エプソンはビジネスと生活のあらゆる場面で感動の映像体験と快適なビジュアルコミュニケーション環境を創造し続けるために進化し続けています。 「ビジュアルイノベーションを実現し、映像のチカラで世の中を変えていく。」そんな、エプソンが思い描く未来についてお話させて頂きます。 [status_flg] 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事業ドメインに“自分がいちばん情熱を掛けられること”を据え、世界中で利用されるサービスを目指し会社を立ち上げ、資金調達を成功させている「パッションテック」の事例が増えている。ニッチであったとしても熱量がある世界中の人をつなげば市場になる。当セッションではパッションテックを仕掛けるスタートアップ(サーフィン、アウトドア)とそこに投資判断をする投資家を交えてお届けする。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 313 [class_code] => 153 [conference_place_groupes_id] => 35 [conference_places_id] => 109 [conference_date] => 2019-11-15 [tags] => IGNITION%% %%企画セッション [time_start] => 15:30 [time_end] => 17:00 [classes_name] => IG [classes_color] => 000000 [places_name] => 展示ホール 6 IGNITION内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 15 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4617 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6479 [category_name] => パネリスト [name] => 高宮 慎一 [organization_name] => グロービス・キャピタル・パートナーズ [description] => [title_name] => 代表パートナー [image_flg] => 1 ) [1] => Array ( [id] => 6481 [category_name] => [name] => 岡田 英之 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地域課題が増大する中、地域メディアの役割は一層重要になってきています。しかしローカル局の広告ビジネスは厳しさを増しており、新たな収入を得る為のアイデアの構築が急務です。放送、ネット、リアルなつながりという“三位一体”で、かつ“地域ファースト”の発想で取り組む放送外ビジネスの新たな潮流をお伝えします。 [status_flg] => 1 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 152 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-15 [tags] => CONNECTED%% %%企画セッション [time_start] => 12:30 [time_end] => 13:30 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 12 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4637 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6557 [category_name] => モデレーター [name] => 村上 圭子 [organization_name] => 日本放送協会 [description] => [title_name] => 放送文化研究所 メディア研究部 研究主幹 [image_flg] => 1 ) [1] => Array ( [id] => 6559 [category_name] => パネリスト [name] => 伴 俊満 [organization_name] => 株式会社ビープラスト(サガテレビグループ会社) [description] => [title_name] => コンテンツメディアグループ [image_flg] => 1 ) [2] => Array ( [id] => 6561 [category_name] => [name] => 二宮 以紀 [organization_name] => 南海放送株式会社 [description] => [title_name] => 技術局技術戦略部 部長 兼 メディア統括局メディア広報部 [image_flg] => 1 ) [3] => Array ( [id] => 7271 [category_name] => [name] => 北折 政樹 [organization_name] => 中京テレビ放送株式会社 [description] => [title_name] => ビジネス推進局 インターネット事業部 [image_flg] => 1 ) ) ) ) ) [100] => Array ( [id] => 1045 [event_id] => 11 [view_flg] => 1 [name] => 放送コンテンツの海外展開 次の一手は配信か? [description] => 日本の放送番組は、番組販売で海外に展開され、販売先では放送と配信の双方での展開が一般的となっています。フォーマット販売など番組販売以外もすでに多くの実績をあげています。 本セッションでは、海外に詳しいお二人をお迎えし、国内では番組配信が進むなか、海外に向けての次の一手をうかがいます。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 153 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-15 [tags] => CONNECTED%% %%企画セッション [time_start] => 14:00 [time_end] => 15:00 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 14 [time_diff] => 60 [themes] => Array ( [0] => Array ( [id] => 4639 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6563 [category_name] => モデレーター [name] => 岩田 淳 [organization_name] => 株式会社テレビ朝日 [description] => [title_name] => 経営戦略局 経営戦略部 渉外担当部長 
兼 インターネット・オブ・テレビジョンセンター [image_flg] => 1 ) [1] => Array ( [id] => 6565 [category_name] => パネリスト [name] => 大場 吾郎 [organization_name] => 佛教大学 [description] => [title_name] => 社会学部教授 [image_flg] => 1 ) [2] => Array ( [id] => 6567 [category_name] => [name] => 薄井 裕介 [organization_name] => 株式会社東京放送ホールディングス [description] => [title_name] => 上級専門職 局次長待遇 メディア企画室
兼 総合マーケティングラボ ビジネス戦略部 [image_flg] => 1 ) ) ) ) ) [101] => Array ( [id] => 1047 [event_id] => 11 [view_flg] => 1 [name] => INTER BEE CONNECTED Wrap Upトークセッション~これまでの5年これからの5年~ [description] => Inter BEEの特別企画であるConnectedがスタートして今年で5年(6回目)。放送を巡る環境が大きく変化する中、Connectedは常に時代を先取りし、新たなサービスやチャレンジを取り上げてきました。 今年のラストセッションは、Connectedの3日間を企画プロデュースしてきた経験豊富なアドバイザリーボードメンバーが、この5年間を振り返るとともに次の5年、放送がどう変化するかを占います。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 315 [class_code] => 154 [conference_place_groupes_id] => 35 [conference_places_id] => 111 [conference_date] => 2019-11-15 [tags] => CONNECTED%% %%企画セッション [time_start] => 15:30 [time_end] => 17:00 [classes_name] => CN [classes_color] => 000000 [places_name] => 展示ホール 7 CONNECTED内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 15 [time_diff] => 90 [themes] => Array ( [0] => Array ( [id] => 4641 [name] => Inter BEE CONNECTED アドバイザリーボードメンバー [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6569 [category_name] => モデレーター [name] => 塚本 幹夫 [organization_name] => 株式会社ワイズ・メディア 取締役 [description] => [title_name] => メディアストラテジスト
フラー株式会社 常勤監査役 [image_flg] => 1 ) [1] => Array ( [id] => 6571 [category_name] => パネリスト [name] => 安藤 聖泰 [organization_name] => 株式会社LivePark [description] => [title_name] => 代表取締役社長 [image_flg] => 1 ) [2] => Array ( [id] => 6573 [category_name] => [name] => 岩田 淳 [organization_name] => 株式会社テレビ朝日 [description] => [title_name] => 経営戦略局 経営戦略部 渉外担当部長 
兼 インターネット・オブ・テレビジョンセンター [image_flg] => 1 ) [3] => Array ( [id] => 6575 [category_name] => [name] => 齊藤 浩史 [organization_name] => 株式会社毎日放送 [description] => [title_name] => 経営戦略室 メディア戦略部長 [image_flg] => 1 ) [4] => Array ( [id] => 6577 [category_name] => [name] => 境 治 [organization_name] => メディアコンサルタント [description] => [title_name] => [image_flg] => 1 ) [5] => Array ( [id] => 6579 [category_name] => [name] => 布瀬川 平 [organization_name] => 株式会社電通 [description] => [title_name] => ラジオテレビビジネスプロデュース局次世代テレビビジネス統轄部長 [image_flg] => 1 ) [6] => Array ( [id] => 6581 [category_name] => [name] => 村上 圭子 [organization_name] => 日本放送協会 [description] => [title_name] => 放送文化研究所 メディア研究部 研究主幹 [image_flg] => 1 ) ) ) ) ) [102] => Array ( [id] => 1055 [event_id] => 11 [view_flg] => 1 [name] => ハリウッド・スーパーセッション ~ザ・メイキングオブライオンキング Part2~ [description] => 「ハリウッド・スーパーセッション」 〜「ライオンキング」はこうして作られた!! この夏、全世界で大ヒットとなった、「ライオンキング」のクリエイターの来日決定! VFXスーパーバイザーのエリオット・ニューマン氏による、2日に渡る「ハリウッド・スーパーセッション」 もちろん日本初公開!あの、「ライオンキング」がどうやって作られたか? その話を直に聞けるのは、INTER BEE CREATIVE 是非この貴重なセッションをお見逃しなく! [status_flg] => 1 [interpretation_flg] => 2 [conference_classes_id] => 317 [class_code] => 151 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-15 [tags] => CREATIVE%% %%企画セッション [time_start] => 10:30 [time_end] => 11:15 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 10 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4649 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6591 [category_name] => [name] => Elliot Newman [organization_name] => MPC Film [description] => [title_name] => VFX Supervisor [image_flg] => 1 ) ) ) ) ) [103] => Array ( [id] => 1057 [event_id] => 11 [view_flg] => 1 [name] => HDR制作環境構築における留意点 [description] => HDRコンテンツの需要は急速に高まっているが、最近まで家庭または制作環境でHDRのフリッカーや点滅の影響を測定参照できるものはなかった。
ITU-RはITU-R BT.1702のガイドラインをHDRを含む形で更新し今年10月末に改訂版をリリースした。
このセッションでは安全なHDR制作作業環境を作るために考慮するべき点やベストプラクティスについて述べる。 [status_flg] => 0 [interpretation_flg] => 0 [conference_classes_id] => 317 [class_code] => 152 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-15 [tags] => CREATIVE%% %%企画セッション [time_start] => 11:30 [time_end] => 12:15 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 30 [time_start_hour] => 11 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4651 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6593 [category_name] => [name] => アンディ・クエステッド [organization_name] => BBC, Chair ITU-R Working Part 6C, Chair EBU Production Strategic Programme, [description] => [title_name] => Lead BBC Production Standards [image_flg] => 1 ) [1] => Array ( [id] => 6595 [category_name] => [name] => 清野晶宏 [organization_name] => 株式会社IMAGICA Lab. [description] => [title_name] => エンターテイメント事業本部 シニアテクニカルディレクター [image_flg] => 1 ) ) ) ) ) [104] => Array ( [id] => 1059 [event_id] => 11 [view_flg] => 1 [name] => 先端映像技術への挑戦 <第4弾> 〜4K放送開始からもうすぐ一年!4K番組制作現場から(HLG編)~ [description] => - [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 153 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-15 [tags] => CREATIVE%% %%企画セッション [time_start] => 13:00 [time_end] => 13:45 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 13 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4653 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6597 [category_name] => [name] => 中垣 宏規 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => エディター [image_flg] => 1 ) [1] => Array ( [id] => 6599 [category_name] => [name] => 石黒 一哉 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => カラーリスト [image_flg] => 1 ) [2] => Array ( [id] => 6601 [category_name] => [name] => 竹内 明弘 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => 技術顧問 [image_flg] => 1 ) [3] => Array ( [id] => 6603 [category_name] => [name] => 山田 敏弘 [organization_name] => パナソニック映像株式会社 [description] => [title_name] => プロデューサー [image_flg] => 1 ) ) ) ) ) [105] => Array ( [id] => 1175 [event_id] => 11 [view_flg] => 1 [name] => デジタルガーデンが提案する次世代の映像制作の形 [description] => - [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 154 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-15 [tags] => CREATIVE%% %%企画セッション [time_start] => 14:00 [time_end] => 14:45 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 14 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4805 [name] => 「One-stop Work flow」と「High-Speed Creation」 [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6795 [category_name] => [name] => 山田 悠生 [organization_name] => 株式会社デジタル・ガーデン [description] => [title_name] => [image_flg] => 1 ) ) ) ) ) [106] => Array ( [id] => 1283 [event_id] => 11 [view_flg] => 1 [name] => 山田智和「映像作家としてのこれまでとこれから」 [description] => あいみょん「マリーゴールド」、米津玄師「Lemon」「Flamingo」など、再生回数1億超えの映像を多数生み出すヒットメーカー・山田智和氏。ほかにもサカナクション、水曜日のカンパネラ、星野源のMVや、新垣結衣のGMOのCMなど、彼の手がけた話題作は枚挙にいとまがありません。 MVやCMが「冬の時代」と呼ばれる中でも彼の作品はなぜ見る人を惹きつけるのか。映像作りの秘訣について山田智和氏に話を聞きます。 [status_flg] => 1 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 155 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-15 [tags] => CREATIVE%% %%企画セッション [time_start] => 15:00 [time_end] => 15:45 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 15 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 4977 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7173 [category_name] => パネリスト [name] => 山田 智和 [organization_name] => 映像作家・映画監督 [description] => [title_name] => [image_flg] => 1 ) [1] => Array ( [id] => 7175 [category_name] => モデレータ [name] => 荒井 努 [organization_name] => 玄光社 [description] => [title_name] => 「コマーシャル・フォト」編集部 [image_flg] => 1 ) ) ) ) ) [107] => Array ( [id] => 1299 [event_id] => 11 [view_flg] => 1 [name] => アナログの技と魂を未来に遺す-特撮ミニチュアの保存と修復の実例― [description] => 特定非営利活動法人アニメ特撮アーカイブ機構(略称:ATAC)は、アニメや特撮に関する様々な資料を保全し、これらを活用した普及啓発を行い、アニメと特撮文化を継承するアーカイブ活動を推進しています。本講演では、特撮映像に欠かせない「ミニチュア」の重要性やそれらの保存が危機的である状況をお知らせし、ミニチュア保存や修復、さらに活用の実例をお伝えします。 [status_flg] => 0 [interpretation_flg] => 1 [conference_classes_id] => 317 [class_code] => 156 [conference_place_groupes_id] => 35 [conference_places_id] => 113 [conference_date] => 2019-11-15 [tags] => CREATIVE%% %%企画セッション [time_start] => 16:00 [time_end] => 16:45 [classes_name] => CR [classes_color] => 000000 [places_name] => 展示ホール 8 CREATIVE内 オープンステージ [time_start_minute] => 0 [time_start_hour] => 16 [time_diff] => 45 [themes] => Array ( [0] => Array ( [id] => 5031 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 7259 [category_name] => [name] => 三好 寛 [organization_name] => 特定非営利活動法人アニメ特撮アーカイブ機構(ATAC) [description] => [title_name] => 事務局長 [image_flg] => 1 ) [1] => Array ( [id] => 7261 [category_name] => [name] => 原口 智生 [organization_name] => 特定非営利活動法人アニメ特撮アーカイブ機構(ATAC) [description] => [title_name] => 特撮ミニチュアプロップ修復師 [image_flg] => 1 ) ) ) ) ) [108] => Array ( [id] => 1153 [event_id] => 11 [view_flg] => 1 [name] => 音響特機株式会社 [description] => HDL50-A アクティブ3ウェイラインアレイモジュール [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 27 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 10:30 [time_end] => 11:00 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 30 [time_start_hour] => 10 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4781 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6769 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [109] => Array ( [id] => 1155 [event_id] => 11 [view_flg] => 1 [name] => ベステックオーディオ株式会社 [description] => A15 WIDE/FOCUS [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 28 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 11:10 [time_end] => 11:40 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 10 [time_start_hour] => 11 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4783 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6771 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [110] => Array ( [id] => 1157 [event_id] => 11 [view_flg] => 1 [name] => ディーアンドビー・オーディオテクニック・ジャパン株式会社 [description] => SL-Series KSL8 [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 29 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 11:50 [time_end] => 12:20 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 50 [time_start_hour] => 11 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4785 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6773 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [111] => Array ( [id] => 1159 [event_id] => 11 [view_flg] => 1 [name] => 株式会社マーチンオーディオジャパン [description] => WPL Wavefront Precision Optimised Line Arrays [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 30 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 12:30 [time_end] => 13:00 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 30 [time_start_hour] => 12 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4787 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6775 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [112] => Array ( [id] => 1161 [event_id] => 11 [view_flg] => 1 [name] => ビーテック株式会社 [description] => Manchester Series MV212 / MS215 / MS218 [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 31 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 13:10 [time_end] => 13:40 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 10 [time_start_hour] => 13 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4789 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6777 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [113] => Array ( [id] => 1163 [event_id] => 11 [view_flg] => 1 [name] => ティアック株式会社 [description] => VIO Series VIO L212 [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 32 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 13:50 [time_end] => 14:20 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 50 [time_start_hour] => 13 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4791 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6779 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [114] => Array ( [id] => 1165 [event_id] => 11 [view_flg] => 1 [name] => 株式会社ヤマハミュージックジャパン [description] => GEO M12シリーズ ラインアレイスピーカーシステム [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 33 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] 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10 [time_start_hour] => 15 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4795 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6783 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [116] => Array ( [id] => 1169 [event_id] => 11 [view_flg] => 1 [name] => 音響特機株式会社 [description] => Anna 3ウェイフルレンジアレイモジュール [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 35 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 15:50 [time_end] => 16:20 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 50 [time_start_hour] => 15 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4797 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6785 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [117] => Array ( [id] => 1171 [event_id] => 11 [view_flg] => 1 [name] => ボーズ合同会社 [description] => ArenaMatch DeltaQ array loudspeakers [status_flg] => 8 [interpretation_flg] => 1 [conference_classes_id] => 319 [class_code] => 36 [conference_place_groupes_id] => 37 [conference_places_id] => 115 [conference_date] => 2019-11-15 [tags] => EXPERIENCE [time_start] => 16:30 [time_end] => 17:00 [classes_name] => NO [classes_color] => 000000 [places_name] => イベントホール [time_start_minute] => 30 [time_start_hour] => 16 [time_diff] => 30 [themes] => Array ( [0] => Array ( [id] => 4799 [name] => [description] => [time_start] => 00:00:00 [time_end] => 00:00:00 [speakeres] => Array ( [0] => Array ( [id] => 6787 [category_name] => [name] => [organization_name] => [description] => [title_name] => [image_flg] => 0 ) ) ) ) ) [118] => Array ( [id] => 1093 [event_id] => 11 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KN-131
INTER BEE SPORT 基調講演
同時通訳付
11月13日(水)
10:00〜12:00
コンベンションホールA

Inter BEE 2019 Opening & Keynote

Opening Session

主催あいさつ : 一般社団法人電子情報技術産業協会

来賓あいさつ : 総務省、経済産業省

来賓等の参加によるフォトセッション

Keynote Speech:Toward 2020

スポーツをどう伝え、スポーツは何を伝えてくれるのか。放送をはじめネットやライブなど、コンテンツをより美しく、より楽しく、よりアクティブに伝える技術が進化するなかで、いまや万人が支持するキラーコンンテンツとなったスポーツ。今年のInter BEEの幕開けを飾るキーノートは、「スポーツとそれを伝えるイノベーション」をトピックテーマに国内海外のキーパーソン4人を迎え、2020年を目前に控えたいま、メディアとエンターテインメントに携わる人たちにとって必見のセッションとしてお届けします。

放送イノベーションを活用した最高のスポーツコンテンツの提供

ゴードン・スミス 氏

全米放送事業者協会(NAB) 会長

全米放送事業者協会(NAB) 会長 氏

他産業との融合によるスポーツの未来

鈴木 大地 氏

スポーツ庁長官

スポーツ庁長官 氏

Beyond 2020放送技術の進化は止まらない

緒方 一貴 氏

日本放送協会 放送技術局 局長

日本放送協会 放送技術局 局長 氏

Tokyo2020の映像制作(仮)

ソチリス・サラモーリス 氏

オリンピック放送機構(OBS)最高技術責任者(CTO)

オリンピック放送機構(OBS)最高技術責任者(CTO) 氏
KN-132
INTER BEE SPORT 基調講演
11月13日(水)
13:00〜14:30
コンベンションホールA

スポーツ中継のフィロソフィー ~TOKYO 2020に向けて

 手話通訳付き 

セッショントピックは「スポーツ文化の発展とテレビの役割」「日本テレビの『姿勢と準備』~ラグビーW杯成功の裏側」「東京パラリンピックのレガシーとテレビの役割」となります。

田中 晃 氏

株式会社WOWOW
代表取締役社長

株式会社WOWOW 氏

今村 司 氏

株式会社読売巨人軍
代表取締役社長

株式会社読売巨人軍 氏

岡部 智洋 氏

日本テレビ放送網株式会社
編成局長

日本テレビ放送網株式会社 氏

望月 浩平 氏

日本テレビ放送網株式会社
スポーツ局 ディレクター

日本テレビ放送網株式会社 氏

口垣内 徹 氏

株式会社WOWOW
IPC & WOWOWパラリンピック・ドキュメンタリーシリーズ
「WHO I AM」 エグゼクティブ・プロデューサー

株式会社WOWOW 氏

マセソン 美季 氏

長野パラリンピック金メダリスト 
IPC & IOC 教育委員会委員

長野パラリンピック金メダリスト  氏
KN-133
INTER BEE SPORT 基調講演
11月13日(水)
15:30〜17:00
コンベンションホールA

デジタルテクノロジーでさらに輝くこれからのスポーツ

ステイプルズ センター(ロサンゼルス)、The O2(ロンドン)など最先端テクノロジーを駆使した「スマートアリーナ」を世界中で保有・運営しつつ、プロスポーツチーム、超大物アーティスト、音楽ライブや都市開発まで手掛ける世界最大のスポーツ×エンタメ×テクノロジー企業 米AEG社の最新動向をベースに、デジタルテクノロジーでスポーツはこれからどう輝きを放つのか、メディアを含めた日本のICT関連企業はどうしていけばいいのか等を、アスリート視点、ラグビーワールドカップで得た知見、東京オリパラ大会に向けた動向を交えながら議論する必聴のパネルディスカッション。

パネリスト

廣瀬 俊朗 氏

元ラグビー日本代表主将
株式会社HiRAKU代表取締役
俳優

元ラグビー日本代表主将 氏

北谷 賢司 氏

米アンシューツ エンタテイメント グループ (AEG) 
アジア担当エグゼクティブ副社長兼日本代表
ワシントン州立大学栄誉教授
金沢工業大学教授

米アンシューツ エンタテイメント グループ (AEG) </br>アジア担当エグゼクティブ副社長兼日本代表 氏

日置 貴之 氏

スポーツブランディングジャパン株式会社 代表取締役社長
(公財)東京オリンピック・パラリンピック競技大会組織委員会
開会式・閉会式担当 エグゼクティブプロデューサー
イージープロダクション株式会社 取締役

スポーツブランディングジャパン株式会社 代表取締役社長 氏

三沢 英生 氏

株式会社ドーム 取締役常務執行役員CSO
東京大学アメリカンフットボール部 監督
筑波大学客員教授

株式会社ドーム 取締役常務執行役員CSO  氏

モデレーター

佐野 徹 氏

日本テレビ放送網株式会社
スポーツ局スポーツ事業推進部
(兼)社長室企画部 部次長、プロデューサー

日本テレビ放送網株式会社 氏

出展者プレゼンテーション

11月13日(水) 講演テーマ/出展者名
13:00-13:20 ライブ収録とクラウド上でのコンテンツ活用
(株)トラフィック・シム
13:30-13:50 スポーツ番組 視聴体験の未来
インフォシティ グループ((株)インフォシティ/(株)テクノネット/(株)ビットメディア)
14:00-14:20 スポーツ向けハイスピードBOXカメラ QDCAM
メディアエッジ(株)
16:30-16:50 Sport×JVC
・バスケ、アメフトで北米トップ層の導入実績、日本初上陸のリプレイ、コーチング向けソリューション
・シンプルなGUIでTV中継レベルのリッチコンテンツ制作を実現するライブプロダクションシステム

(株)JVCケンウッド
11月14日(木) 講演テーマ/出展者名
11:30-11:50 Sport×JVC
・バスケ、アメフトで北米トップ層の導入実績、日本初上陸のリプレイ、コーチング向けソリューション
・シンプルなGUIでTV中継レベルのリッチコンテンツ制作を実現するライブプロダクションシステム

(株)JVCケンウッド
14:30-14:50 ライブ収録とクラウド上でのコンテンツ活用
(株)トラフィック・シム
15:00-15:20 スポーツ番組 視聴体験の未来
インフォシティ グループ((株)インフォシティ/(株)テクノネット/(株)ビットメディア)
15:30-15:50 スポーツ向けハイスピードBOXカメラ QDCAM
メディアエッジ(株)
11月15日(金) 講演テーマ/出展者名
10:30-10:50 ライブ収録とクラウド上でのコンテンツ活用
(株)トラフィック・シム
11:00-11:20 スポーツ番組 視聴体験の未来
インフォシティ グループ((株)インフォシティ/(株)テクノネット/(株)ビットメディア)
11:30-11:50 スポーツ向けハイスピードBOXカメラ QDCAM
メディアエッジ(株)
14:30-14:50 Sport×JVC
・バスケ、アメフトで北米トップ層の導入実績、日本初上陸のリプレイ、コーチング向けソリューション
・シンプルなGUIでTV中継レベルのリッチコンテンツ制作を実現するライブプロダクションシステム

(株)JVCケンウッド

ライブイベント

新しいスポーツ競技を体感しませんか?オリンピック競技種目を目指す「ダブルダッチ」がInter BEEにやってきます。

regstyle

世界の頂点に立つ現役チャンピオン「REG STYLE(レグスタイル)」!!
二本のロープを巧みに操り、迫力あるアクロバットからダンスまで彼らの織りなすパフォーマンスは、皆様を魅了します!!
2017年・2018年・2019年には、ダブルダッチの祭典『DOUBLE DUTCH CONTEST』にて世界大会3連覇という偉業を果たす!
世界を代表するプロダブルダッチチーム「REGSTYLE」のパフォーマンスをぜひご覧下さい。