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		<li>Inter BEE Content Forum 2011</li>

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				<h3><span>Inter BEE Content Forum 2011</span><span class="img"><img src="images/pre-registration_icon.gif" alt="Prior Applications Required" width="172" height="18" /></span></h3>

				<p class=" mgb20">International Conference Room, 2F, International Conference Hall, Makuhari Messe<br />Management / Contact: Japan Electronics Show Association (JESA)</p>

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					<td>Seat reservations for the conferences are now being accepted at the <a href="https://regist.jesa.or.jp/interbee-e/" target="_blank" class="arrow01">Online Members Site</a>.

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					<td>*&nbsp;</td>

					<td>You can register in advance to attend conferences; however, you must first <a href="https://regist.jesa.or.jp/interbee-e/" target="_blank" class="arrow01">pre-register for Inter BEE 2011 and register to become an online member</a>.</td>

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					<td>*&nbsp;</td>

					<td>Please note that registration for conference will end as soon as the number reaches its capacity. </td>

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				<p class="pdb40" style="border-top: 1px solid #ccc; padding-top: 20px;"><strong>Next Generation Content &mdash; Reliance and Creation &mdash; </strong><br />

				Welcoming a presenter who is a leading authority in the fields of film and music both here and abroad, latest user experience-shaped content business trends are discussed.</p>

				<a name="A16-1" id="A16-1"></a>

				<h4>November 16 (Wed.) Keynote Speech<br />

（Simultaneous interpreting available-Japanese / English）<span class="img" style="top: 15px;"><img src="images/free_icon.gif" alt="Admission Free" width="102" height="18" /></span></h4>

				

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							<p>11:00-12:00</p>

							<p class="linkRegister"><img src="images/registration_closed.jpg" alt="Reservation Closed" width="100" height="25" /></p>

							

							

				      <!--<p class="linkRegister mgb5"><img src="images/full_btn.gif" alt="Full" /></p>-->

							<!--<p style="font-weight: normal; padding: 0px; text-align: center; width: 125px;"><a href="pdf/2010_Visual_Production.pdf" class="arrow01" target="_blank">Handout<br />(PDF: 3,392K)</a></p>-->

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							<h5>The Strength of our Partnerships are Building a Stronger Broadcast Future</h5>

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								<dt>Mr. Gordon Smith</dt>

								<dd>President and CEO, The National Association of Broadcasters (NAB)</dd>

								<dt>Mr. Kenji Nagai</dt>

								<dd>Managing Director, Japan Broadcasting Corporation (NHK)</dd>

							</dl>

							<!-- 

							<h6>●MC:</h6>

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								<dt>Mr. Seiji Kunishige</dt>

								<dd>Director A Member of Executive Board, NHK ART Inc.</dd>

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							<h6>●Coordinator:</h6>

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								<dt>Mr. Hideichi Tamegaya</dt>

								<dd>Professor, Graduate School, Joshibi University of Art &amp; Design</dd>

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				<a name="A16-2" id="A16-2"></a>

				<h4>November 16 (Wed.) Invited Speech 1<br />（Simultaneous interpreting available-Japanese / English）<span class="img" style="top: 15px;"><img src="images/free_icon.gif" alt="Admission Free" width="102" height="18" /></span></h4>

				

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							<p>13:00-14:30</p>

							<p class="linkRegister"><img src="images/registration_closed.jpg" alt="Reservation Closed" width="100" height="25" /></p>

							

				      <!--<p class="linkRegister mgb5"><img src="images/full_btn.gif" alt="Full" /></p>-->

							<!--<p style="font-weight: normal; padding: 0px; text-align: center; width: 125px;"><a href="pdf/2010_Audio_Production.pdf" class="arrow01" target="_blank">Handout<br />(PDF: 7,274K)</a></p>-->

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							<h5>Brazil-Japan Cooperation on Digital Television: 2007-2011 and Perspectives</h5>

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								<dt>Dr. Marcelo Zuffo</dt>

								<dd>Professor, University of Sao Paulo</dd>



								<dt>Dr. Antenor Correa</dt>

								<dd>General Coordinator of Software and IT Services<br />at the Secretariat of Information Technology Policy, Brazil</dd>

							</dl>

							

							<h5>Technical background of ISDB-TB</h5>

							<dl class="pdb20">

								<dt>Ms. Laisa Caroline Costa De Biase</dt>

								<dd>Doctor Course, Polytechnic School, University of Sao Paulo</dd>

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							<!-- 

							<h6>●MC:</h6>

							<dl class="pdb20">

								<dt>Mr. Mick M Sawaguchi</dt>

								<dd>Advisor of Pioneer Corporation, Fellow AES/IBS</dd>

								<dt>Mr. Toru Kamekawa</dt>

								<dd> Professor, Musical Creativity and the Environment, <br />Tokyo University of the Arts</dd>

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				<a name="A16-3" id="A16-3"></a>

				<h4>November 16 (Wed.) Invited Speech 2<br />（Simultaneous interpreting available-Japanese / English）<span class="img" style="top: 15px;"><img src="images/free_icon.gif" alt="Admission Free" width="102" height="18" /></span></h4>

				

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							<p>17:00-18:00</p>

							<p class="linkRegister"><img src="images/registration_closed.jpg" alt="Reservation Closed" width="100" height="25" /></p>

							

				      <!--<p class="linkRegister mgb5"><img src="images/full_btn.gif" alt="Full" /></p>-->

							<!--<p style="font-weight: normal; padding: 0px; text-align: center; width: 125px;"><a href="pdf/2010_Audio_Production.pdf" class="arrow01" target="_blank">Handout<br />(PDF: 7,274K)</a></p>-->

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							<h5>Content Forum Special Session &quot;Unlimited potential of movie production and its future&quot;</h5>

							<dl class="pdb20">

								<dt>Mr. Gareth Edwards</dt>

								<dd>Film Director of &quot;Monsters&quot;(2010), &quot;Godzilla&quot;(2012)</dd>



								<dt>Mr. Jim Guerard</dt>

								<dd>General VP, Dynamic Media, Adobe Systems, Inc.</dd>

							</dl>

							

							<!-- 

							<h6>●MC:</h6>

							<dl class="pdb20">

								<dt>Mr. Mick M Sawaguchi</dt>

								<dd>Advisor of Pioneer Corporation, Fellow AES/IBS</dd>

								<dt>Mr. Toru Kamekawa</dt>

								<dd> Professor, Musical Creativity and the Environment, <br />Tokyo University of the Arts</dd>

							</dl>

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				<a name="A17-1" id="A17-1"></a>

				<h4>November 17 (Thu.) International Symposium,Visual Production<br />（Simultaneous interpreting available-Japanese / English / Chinese）<span class="img" style="top: 15px;"><img src="images/pay_icon.gif" alt="Attendance Fee:¥3,000(Consumption Tax Included)" width="165" height="18" /></span></h4>

				

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							<p>13:00-17:00</p>

							<!--<p class="linkRegister"><img src="images/registration_closed.jpg" alt="Reservation Closed" width="100" height="25" /></p>-->

							<!--<p style="padding: 5px 25px 0 5px; font-weight: normal; color: red;" class="txtS">You can still reserve a seat at the door. Please come directly to the session venue.</p>-->



							

							<p class="linkRegister"><img src="images/registration_closed.jpg" alt="Reservation Closed" width="100" height="25" /></p>
							<p class="linkRegister"><a href="https://www.inter-bee.com/en/conference/vp/BEE2011VideoSympsium_en.pdf" target="_blank">Handout<br />
						    (PDF: 8,190K)</a></p>
						  <!--<p class="linkRegister mgb5"><img src="images/full_btn.gif" alt="Full" /></p>-->

							

							

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							<h5>Creating the Tele-existence Content Imaging in Spatial Productions<Br />&mdash;Possibility of Lighting / Visuals / Multi-Focus Naked Eye 3D Content&mdash;</h5>

							<h6>●Panelists:</h6>

							<dl class="pdb20">

								<dt>Mr. Juko Sato</dt>

								<dd>Theater consulting / Stage lighting design, Celebration of the Light Co., Ltd.</dd>

								<dt>Mr. Kouichi Usami</dt>

								<dd>President, Mileruntech.Co., Ltd</dd>

								<dt>Mr. Takuya Matsumoto</dt>

								<dd>Director, T601, Ltd.</dd>

								<dt>Mr. Shoichiro Iwasawa</dt>

								<dd>Research Expert, Ultra-Realistic Video Systems Laboratory,<br />Universal Communication Research Institute,<br />National Institute of Information and Communications</dd>

							</dl>

							<h6>●MC:</h6>

							<dl class="pdb20">

								<dt>Mr. Hideichi Tamegaya</dt>

								<dd>Professor, Graduate School, Joshibi University of Art &amp; Design</dd>

								<dt>Mr. Seiji Kunishige</dt>

								<dd>Director, A Member of Executive Board, NHK Art Inc.</dd>

							</dl>

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								<h5>Special Live Stage &lceil; Dance Collaboration &quot;Kizuna&quot;&rfloor; </h5>

								<h6>●Choreographer:</h6>

								<dl>

									<dt>Mr. Atsumi Miyazaki</dt>

									<dd>Chairman, Jazz Dance Art Association of Japan</dd>

								</dl>

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							<!-- 

							<p class="pdb20">Numerous technologies surrounding the stereoscopic 3D (S3D)  imaging content production are rapidly evolving. As a result, S3D industries are enormously growing all over the world. The S3D imaging content has a wide range of applications in various fields. With developing display devices and production equipment for shooting and delivering, the S3D content enables to deliver not only in S3D-movie theater and at a  live event but also on 3D-TV set at home. Currently, it is highly expected to meet both producing and delivering of a safe and attractive S3D imaging content. Especially, it is very important for not only a producer and a manufacturer but also a consumer to figure out &quot;A Safe of S3D&quot;.<br />

							In this special seminar, we cover the following main subject to systematically understand &quot;A Safe of S3D&quot;.</p>

							<ul class="pdb20 listStyleCircle">

								<li>The Reports of Human Health Concern (ex. Headache, eye strain, 3D motion sickness) in Watching S3D Content</li>

								<li>The Stereoscopic 3D Fundamentals : Important basics of S3D for both beginners and professionals</li>

								<li>A Study Toward Ensuring &quot;a Safe and Comfortable&quot; of 3D Content</li>

								<li>The Latest Trends of &quot;A Safe of S3D&quot; in Japan and U.S.</li>

							</ul>

							-->

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				<a name="A18-1" id="A18-1"></a>

				<h4>November 18 (Fri.) International Symposium, Audio Production<br />（Simultaneous interpreting available-Japanese / English / Chinese）<span class="img" style="top: 15px;"><img src="images/pay_icon.gif" alt="Attendance Fee:¥3,000(Consumption Tax Included)" width="165" height="18" /></span></h4>

				

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							<p>13:00-16:00</p>

							<!--<p style="padding: 5px 25px 0 5px; font-weight: normal; color: red;" class="txtS">You can still reserve a seat at the door. Please come directly to the session venue.</p>-->
							<p class="linkRegister"><img src="images/registration_closed.jpg" alt="Reservation Closed" width="100" height="25" /></p>
							<!-- <p class="linkRegister"><a href="https://regist.jesa.or.jp/interbee-e/" target="_blank"><img src="images/attendance_btn_off.gif" alt="Reserving a seat" width="100" height="25" /></a></p> -->
							<p class="linkRegister"><a href="https://www.inter-bee.com/en/conference/ap/BEE2011AudioSympsium_en.pdf" target="_blank">Handout<br />
(PDF: 2,440K)</a></p>
						  <!--<p class="linkRegister mgb5"><img src="images/full_btn.gif" alt="Full" /></p>-->

							

							

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							<h5>Digital Construction of Live Sound &mdash; Its Operations and Practices</h5>

							<h6>●Panelists:</h6>

							<dl class="pdb20">

								<dt>Mr. Makoto Hibino</dt>

								<dd>Product Specialist,<br />CA Domestic Marketing Group Pro Audio Division/<br />Marketing Department, Yamaha Corporation</dd>

								<dt>Mr. Kenji Show</dt>

								<dd>Sound Chief, Stage Technology Department, Kani Public Arts Center</dd>

								<dt>Mr. Takeo Ito</dt>

								<dd>President, Sound Project Inc.</dd>

								<dt>Mr. Hitoshi Adachi</dt>

								<dd>Sound Engineer, MSI Japan Tokyo Osaka Branch</dd>

								<dt>Mr. Kazuo Takei</dt>

								<dd>CEO, Public Address Inc.</dd>

							</dl>

							<h6>●MC:</h6>

							<dl class="pdb20">

								<dt>Mr. Mick Sawaguchi</dt>

								<dd>President, Mick Sound Lab, Fellow AES/IBS</dd>

								<dt>Mr. Toru Kamekawa</dt>

								<dd>Professor, Musical Creativity and the Environment,<br />Tokyo University of the Arts</dd>

							</dl>

							<div class="specialColumn">

								<p>* Various equipment for digital construction of live sound are also on display and you can watch them after the lecture.</p>

							</div>

							<!-- 

							<ul class="pdb20 listStyleCircle">

								<li>The Reports of Human Health Concern (ex. Headache, eye strain, 3D motion sickness) in Watching S3D Content</li>

								<li>The Stereoscopic 3D Fundamentals : Important basics of S3D for both beginners and professionals</li>

								<li>A Study Toward Ensuring &quot;a Safe and Comfortable&quot; of 3D Content</li>

								<li>The Latest Trends of &quot;A Safe of S3D&quot; in Japan and U.S.</li>

							</ul>

							-->

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				<a name="A18-5" id="A18-5"></a>

				<h3><span>Audio Loudness Meter : Display &amp; Demonstration</span><span class="img"><img src="images/free_icon.gif" alt="Admission Free" width="102" height="18" /></span></h3>

					

				<p class="pdb20">I November 18 (Thu.) 16:00～17:30, (After Int’l Symposium, Audio Production)<br />International Conference Room, 2F, International Conference Hall, Makuhari Messe<br />Management / Contact: Japan Electronics Show Association (JESA)</p>

				<p class="pdb20">On Display of Loudness Meters</p>

				<p class="pdb20">The need for loudness monitoring is apparent in the loudness war that is now found everywhere in the audio field. Meters have been introduced that aim to measure the human perceived loudness by taking account of the equal-loudness contours and other factors. The loudness meters of major Japanese manufacturers will be displayed and demonstrated at the International Conference Room, 2F International Conference Hall.</p>

				

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